awe had delayed him. He drew back then, for the star, after vigorously shaking herself, went to a tall brazier in which glowed a charcoal fire.
Here he now noticed for the first time the prop-boy Jimmie, he who had almost certainly defaulted with an excellent razor. Jimmie threw a blanket about the star's shoulders as she hovered above the glowing coals. Merton had waited for her voice. He might still venture to speak to her—to tell her of his long and profound admiration for her art. Her voice came as she shivered over the fire:
"Murder! That water's cold. Rosenblatt swore he'd have it warmed but I'm here to say it wouldn't boil an egg in four minutes."
He could not at first identify this voice with the remembered tones of Beulah Baxter. But of course she was now hoarse with the cold. Under the circumstances he could hardly expect his heroine's own musical clearness. Then as the girl spoke again something stirred among his more recent memories. The voice was still hoarse, but he placed it now. He approached the brazier. It was undoubtedly the Montague girl. She recognized him, even as she squeezed water from the hair of wondrous gold.
"Hello, again, Kid. You're everywhere, ain't you? Say, wha'd you think of that Rosenblatt man? Swore he'd put the steam into that water and take off the chill. And he never." She threw aside the blanket and squeezed water from her garments, then began to slap her legs, arms, and chest.
"Well, I'm getting a gentle glow, anyhow. Wha'd you think of the scene?"
"It was good—very well done, indeed." He hoped it didn't sound patronizing, though that was how he felt. He believed now that Miss Baxter would have done it much better. He ventured a question. "But how about Miss Baxter—when does she do something? Is she going to be swept off the boat, too?"
"Baxter? Into that water? Quit your kidding!"
