it down in the coal cellar, will you? We're littered with the stuff up here."
"On the level, Jeff."
Baird looked up. "On the level?"
"You'll say so."
"Shoot!"
"Well, he's a small-town hick that saved up seventy-two dollars to come here from Goosewallow, Michigan, to go into pictures—took a correspondence course in screen-acting and all that, and he went broke and slept in a property room down in the village all last week; no eats at all for three, four days. I'd noticed him around the lot on different sets; something about him that makes you look a second time. I don't know what it is—kind of innocent and bug-eyed the way he'd rubber at things, but all the time like as if he thought he was someone. Well, I keep running across him and pretty soon I notice he's up against it. He still thinks he's someone, and is very up-stage if you start to kid him the least bit, but the signs are there, all right. He's up against it good and hard.
"All last week he got to looking worse and worse. But he still had his stage presence. Say, yesterday he looked like the juvenile lead of a busted road show that has walked in from Albany and was just standing around on Broadway wondering who he'd consent to sign up with for forty weeks—see what I mean?—hungry but proud. He was over on the Baxter set last night while I was doing the water stuff, and you'd ought to see him freeze me when I suggested a sandwich and a cup o' coffee. It was grand.
"Well, this morning I'm back for a bar pin of Baxter's I'd lost, and there he is again, no overcoat, shivering his teeth loose, and all in. So I fell for him. Took him up for some coffee and eggs, staked him to his room rent, and sent him off to get cleaned and barbered. But before he went he cut loose and told me his history from the cradle to Hollywood.
"I'd 'a' given something good if you'd been at the next
