scenes of it in motion were shot from a car that preceded them.
They arrived before the hotel; Merton was directed to take from the car an iron weight attached to a rope and running to a connection forward on the hood. He was to throw the weight to the ground, plainly with the notion that he would thus prevent the car from running away. The simple device was, in fact, similar to that used, at Gashwiler's strict orders, on the delivery wagon back in Simsbury, for Gashwiler had believed that Dexter would run away if untethered. But of course it was absurd, Merton saw, to anchor a motor car in such a manner, and he was somewhat taken aback when Baird directed this action.
"It's all right," Baird assured him. "You're a simple country boy, and don't know any better, so do it plumb serious. You'll be smart enough before the show's over. Go ahead, get out, grab the weight, throw it down, and don't look at it again, as if you did this every time. That's it. You're not being funny; just a simple country boy like Wayne was at first." He performed the action, still with some slight misgiving.
Followed scenes of brother and sister offering Mother's wares to the city folks idling on the porch of the hotel. Each bearing a basket they were caught submitting the jellies and jams. The brother was laughed at, even sneered at, by the supercilious rich, the handsomely gowned women and the dissipated looking men. No one appeared to wish his jellies.
The little sister had better luck. The women turned from her, but the men gathered about her and quickly bought out the stock. She went to the car for more and the men followed her. To Merton, who watched these scenes, the dramatist's intention was plain. These men did not really care for jellies and jams, they were attracted solely by the wild-rose beauty of the little country girl. And they were plainly the sort of men whose attentions could mean no good to such as she.
Left on the porch, he was now directed to approach a dis-
