with them. Mr. Patterson in his black suit, his wife in society raiment, would sit downstairs and would doubtless applaud their lodger; but he would be remote from them; in a far corner of the topmost gallery, he first thought, for Hearts on Fire was to be shown in one of the big down-town theatres where a prominent member of its cast could lose himself.
He had told the Pattersons a little about the story. It was pretty pathetic in spots, he said, but it all came right in the end, and there were some good Western scenes. When the Pattersons said he must be very good in it, he found himself unable to achieve the light fashion of denial and protestation that would have become him. He said he had struggled to give the world something better and finer.
For a moment he was moved to confess that Mrs. Patterson, in the course of his struggles, had come close to losing ten dollars, but he mastered the wild impulse. Some day, after a few more triumphs, he might laughingly confide this to her.
The day was long. Slothfully it dragged hours that seemed endless across the company of shining dreams that he captained. He was early at the theatre, first of early comers, and entered quickly, foregoing even a look at the huge lithographs in front that would perhaps show his very self in some gripping scene.
With an empty auditorium to choose from, he compromised on a balcony seat. Down below would doubtless be other members of the company, probably Baird himself, and he did not wish to be recognized. He must be alone with his triumph. And the loftier gallery would be too far away.
The house filled slowly. People sauntered to their seats as if the occasion were ordinary; even when the seats were occupied and the orchestra had played, there ensued the annoying delays of an educational film and a travelogue. Upon this young actor's memory would be forever seared the information that the conger eel lays fifteen million eggs at
