Page:Wit, humor, and Shakspeare. Twelve essays (IA cu31924013161223).pdf/20

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clear, the bird changes his wild note for peals of laughter from a high tree, and finally, alighting on the top of a hen-coop filled with trembling chickens, remarks, in a suffocated voice, 'You'll be the death of me.'"

If we are disposed to think that such accounts of originality are only cases of accidental coincidence, what shall we say to the following story, which comes to us from an authority upon which we may rely:—

A long-tailed paroquet, which had been a pet of an English barrack in India, where it had picked up all kinds of oaths and slang, passed into the possession of a lady in England, who, one day, receiving a visitor endowed with a very decided squint, took her into the room where the bird was kept. No sooner did the bird see this lady than it cried, "Twig her eye! What a beauty!"

How many human beings get immortality discounted for themselves upon a capital of sprightliness hardly more extensive than this parrot's!

There is also a well-authenticated story of a parrot belonging to an English carpenter, who undertook to make it say a long word in several syllables, that had no particular meaning. All at once the parrot declined to use any of his usual phrases, and remained entirely mute for a year, at the end of which time he suddenly pronounced the word, and then talked as before. The story is parallel to the Roman one, of the parrot which heard for the first time the note of a trumpet, became silent for several months, and then suddenly began to imitate the note. It is remarkable that no rehearsals or prelu-