speculation with a finger-tip, to unknot the snarls of business and ferocious care with kisses which the street will not overhear. Out of all her craze may she gather up again and redistribute the flowers of her shy disposition, "for remembrance; pray you, love, remember;" and some for herself too, "we may call it herb of grace o' Sundays."
Do not tempt Ophelia to drown herself again
"With annoyance of charity schools or of districts."
Turn over all such business to that pragmatic and correct Isabella: she will do better in it than in making a whole nunnery miserable with posted notices of the dangers to virtue and of rules for being severely let alone. But Ophelia,
"Live, be lovely, forget them, be beautiful even to proudness,
Even for their poor sakes whose happiness is to behold you;
Live, be uncaring, be joyous, be sumptuous; only be lovely,—
Sumptuous, not for display, and joyous, not for enjoyment;
Not for enjoyment, truly; for Beauty and God's great glory.
Built by that only law, that Use be suggester of Beauty,
Nought be concealed that is done, but all things done to adornment,
Meanest utilities seized as occasions to grace and embellish."
LOVE IN SHAKSPEARE.
The great motives and impulses of human nature do not find themselves made obsolete by Shakspeare's genius: we meet the central passion of Love animating every play, and modified by the various characteristics
