love?" he can reply, with a flush of honor, "What do you think of me?"
I cannot find that the context will justify this theory. It is contradicted by the evident alarm and sorrow which the old man displays when Ophelia describes the piteous plight of Hamlet after his repulse; for what does Polonius know about a "father's spirit in arms" laying waste the Prince's soul? No: he must be deep in love; and Polonius must hasten to report it to the King.
We recur to the plain theory that Polonius supposes that a king's son is out of the star of her unaspiring thought, and that such a match would be against the stomach of the Court. He will cling to his lord chamberlain's staff and totter with it to the end. The daughter, respecting his fears, inflicts this harsh repulse upon Hamlet. How we pity the Prince, who is turned away from her dear house whither he would have longed to repair, weighed down with his awful secret, to place his heart upon her restfulness, and let its rhythm soothe the cracking nerves! Yet she "did return his letters, and denied his access," perhaps the very morning after he had sworn the platform oath. There's nothing to depend on left in Denmark. Who next is false? What truth or feeling escapes the monstrous irony?
But mark how quickly Ophelia's love jumps at the father's plan to bring them again together, as if by accident, in order that the King and he may observe, by the nature of the interview, whether he is mad from love of her. And when he thrusts a book into her hand, that she may have the pretence of reading when Hamlet
