mean motives. She is the virgin, steadfast soul, to whom falsehood is more dreadful than any other death.
But it is to Wilhelm Meister's Apprenticeship and Wandering Years that I would especially refer, as these volumes contain the sum of the Sage's observations during a long life, as to what man should do, under present circumstances, to obtain mastery over outward, through an initiation into inward life, and severe discipline of faculty.
As Wilhelm advances in the upward path he becomes acquainted with better forms of woman by knowing how to seek, and how to prize them when found. For the weak and immature man will, often, admire a superior woman, but he will not be able to abide by a feeling, which is too severe a tax on his habitual existence. But, with Wilhelm, the gradation is natural and expresses ascent in the scale of being. At first he finds charm in Mariana and Philina, very common forms of feminine character, not without redeeming traits, no less than charms, but without wisdom or purity. Soon he is attended by Mignon, the finest expression ever yet given to what I have called the lyrical element in woman. She is a child, but too full-grown for this man; he loves, but cannot follow her; yet is the association not without an enduring influence. Poesy has been domesticated in his life, and, though he strives to bind down her heavenward impulse, as art or apothegm, these are only the tents, beneath which he may sojourn for a while, but which may be easily struck, and carried on limitless wanderings.
Advancing into the region of thought, he encoun-
