Page:Woman in the Nineteenth Century 1845.djvu/18

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WOMAN IN THE

prose and verse “Orphic sayings”—“Orphics.” We wish we could add that they have shown that musical apprehension of the progress of nature through her ascending gradations which entitled them so to do, but their attempts are frigid, though sometimes grand; in their strain we are not warmed by the fire which fertilized the soil of Greece.

Orpheus was a law-giver by theocratic commission. He understood nature, and made her forms move to his music. He told her secrets in the form of hymns, nature as seen in the mind of God. His soul went forth toward all beings, yet could remain sternly faithful to a chosen type of excellence. Seeking what he loved, he feared not death nor hell, neither could any shape of dread daunt his faith in the power of the celestial harmony that filled his soul.

It seemed significant of the state of things in this country, that the sculptor should have represented the seer at the moment when he was obliged with his hand to shade his eyes.

 Each Orpheus must to the depths descend,
For only thus the Poet can be wise,
 Must make the sad Persephone his friend,
And buried love to second life arise;
 Again his love must lose through too much love,
Must lose his life by living life too true,
 For what he sought below is passed above,
Already done is all that he would do;
 Must tune all being with his single lyre,
Must melt all rocks free from their primal pain,
 Must search all nature with his one soul's fire,
Must bind anew all forms in heavenly chain.
 If he already sees what he must do,
Well may he shade his eyes from the far-shining view.

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