Page:Woman in the Nineteenth Century 1845.djvu/97

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TUNE THE LYRE.
91

is ever more masculine than feminine; warmed by emotion, it rushes towards mother earth, and puts on the forms of beauty.

The electrical, the magnetic element in woman has not been fairly brought out at any period. Every thing might be expected from it; she has far more of it than man. This is commonly expressed by saying that her intuitions are more rapid and more correct. You will often see men of high intellect absolutely stupid in regard to the atmospheric changes, the fine invisible links which connect the forms of life around them, while common women, if pure and modest, so that a vulgar self do not overshadow the mental eye, will seize and delineate these with unerring discrimination.

Women who combine this organization with creative genius, are very commonly unhappy at present. They see too much to act in conformity with those around them, and their quick impulses seem folly to those who do not discern the motives. This is an usual effect of the apparition of genius, whether in man or woman, but is more frequent with regard to the latter, because a harmony, an obvious order and self-restraining decorum, is most expected from her.

Then women of genius, even more than men, are likely to be enslaved by an impassioned sensibility. The world repels them more rudely, and they are of weaker bodily frame.

Those, who seem overladen with electricity, frighten those around them. “When she merely enters the room, I am what the French call herissé,” said a man of petty feelings and worldly character of such a