been seriously hampered by ill health, and her achievements in the face of such a drawback are all the more remarkable.
Godewyck, Margaretta. Born at Dort, 1627. A pupil of the celebrated painter, Nicholas Maas. She excelled as a painter of flowers, and was proficient in both ancient and modern languages. She was called by authors of her time, "the lovely flower of Art and Literature of the Merwestrom," which is a poetical way of saying Dordrecht!
Golay, Mary—Mme. Speich Golay. Silver medal at Geneva Exposition, 1896; eighteen medals and rewards gained in the Art Schools of Geneva, and the highest recompense for excellence in composition and decoration. Member of the Amis des Beaux- Arts, Geneva; Société vaudoise des Beaux Arts, Lausanne. Born in Geneva and studied there under Mittey for flower painting, composition, and ceramic decoration; under Gillet for figure painting.
Mme. Golay has executed a variety of pictures both in oil and water-colors. In an exhibition at the Athinde in Geneva, in the autumn of 1902, she exhibited two pictures of sleep, which afforded an almost startling contrast. They were called "Sweet Sleep" and the "Eternal Sleep." The first was a picture of a beautiful young woman, nude, and sleeping in the midst of roses, while angels watching her inspire rosy dreams of life and love. The roses are of all possible shades, rendered with wonderful freshness—scarlet roses, golden roses—and in such masses and so scattered about the nude figure as to give it a character
