Page:Women in the Fine Arts From the Seventh Century B.C. to the Twentiet.djvu/238

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WOMEN IN THE FINE ARTS
161


Gallery, Washington, D. C, 1901. Member of Society of American Artists, Women's Art Club, New York, American Society of Miniature Painters, and Water-Color Club, Boston. Born in Newburyport, Massachusetts. Studied in Helen M. Knowlton's studio and at Cowles Art School, Boston, and at Art Students' League, New York.

Miss Hills is a prominent and successful miniaturist, and her numerous pictures are in the possession of her subjects. They are decidedly individual in character. No matter how simple her arrangements, she gives her pictures a cachet of distinction. It may be "a lady in a black gown with a black aigrette in her hair and a background of delicate turquoise blue, or the delicate profile of a red-haired beauty, outlined against tapestry, the snowy head and shoulders rising out of dusky brown velvet; but the effect is gem-like, a revelation of exquisite coloring that is entirely artistic."

"An attractive work," reproduced here, "may be called a miniature picture. It is a portrait of a little lady, apparently six or seven years old, in an artistic old-fashioned gown, the bodice low in neck and cut in sharp point at the waist line in front; elbow sleeves, slippers with large rosettes, just peeping out from her dress, her feet not touching the floor, so high is she seated. Her hair, curling about her face, is held back by a ribbon bandeau in front ; one long, heavy curl rests on the left side of her neck, and is surmounted by a big butterfly bow. The costume and pose are delightful and striking at first sight, but the more the picture is studied the more the face