Page:Women in the Fine Arts From the Seventh Century B.C. to the Twentiet.djvu/378

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WOMEN IN THE FINE ARTS.
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Berlin Academy conferred this distinction upon a woman. The artist exhibited two portraits, "painted with Holbein-like delicacy and truthfulness"—if we may agree with the critics.

This artist was born in Berlin in 1858, and was a pupil of Gussow. Her best pictures are portraits, but her "Sappho" and "Euphrosine" are excellent works.

Popp, Babette. Born in Regensburg, 1800; died about 1840. Made her studies in Munich. In the Cathedral of Regensburg is her "Adoration of the Kings."

Powell, Caroline A. Bronze medal at Chicago, 1893; silver medal at Buffalo, 1901. Member of the Society of American Wood-Engravers and of the Boston Society of Arts and Crafts. Born in Dublin, Ireland. Pupil of W. J. Linton and Timothy Cole.

Miss Powell was an illustrator of the Century Magazine from 1880 to 1895. The engraving after "The Resurrection" by John La Farge, in the Church of St. Thomas, New York, is the work of this artist. She also illustrated "Engravings on Wood," by William M. Laffan, in which book her work is commended.

Miss Powell is now employed by Messrs. Houghton, Mifflin & Co., and writes me: "So far as I know, I am, at present, the only woman in America engaged in the practise of engraving as a fine art."

Prestel, Maria Catharina; family name Holl. Born in Nuremburg, 1747. Her husband, Johan Prestel, was her teacher, and she was of great assistance in the work which he produced at Frankfort-on-the-Main, in 1783. In 1786, however, she separated from him and went to Lon-