merit special attention, though a goodly number were elected to academies and several appointed painters to the minor courts.
Among the genre and historical painters we find the names of Anna Amalia of Brunswick and Anna Maria, daughter of the Empress Maria Theresa, both of whom were successful artists.
In Berlin and Dresden the interest in art was much greater in the eighteenth than in previous centuries, and with this new impulse many women devoted themselves to various specialties in art. Miniature and enamel painting were much in vogue, and collections of these works, now seen in museums and private galleries, are exquisitely beautiful and challenge our admiration, not only for their beauty, but for the delicacy of their handling and the infinite patience demanded for their execution.
The making of medals was carried to great excellence by German women, as may be seen in a medal of Queen Sophie Charlotte, which is preserved in the royal collection of medals. It is the work of Rosa Elizabeth Schwindel, of Leipsic, who was well known in Berlin in the beginning of the century.
The cutting of gems was also extensively done by women. Susannah Dorsch was famous for her accomplishment in this art. Her father and grandfather had been gem-cutters, and Susannah could not remember at what age she began this work. So highly was she esteemed as an artist that medals were made in her honor.
As frequently happens in a study of this kind, I find long lists of the names of women artists of this period of
