and to it she attributed a large share of her power of endurance, although it lost her many pleasures. She could not go out to dinner or entertain at that hour. The evening was her only time for social pleasures. But when one reads her "Souvenirs," and realizes how many notable people she met in her studio and in evening society, it scarcely seems necessary to regret that she could not dine out!
Mme. Le Brun was at one period thought to be very extravagant, and one of her entertainments caused endless comments. Her own account of it shows how greatly the cost was exaggerated. She writes that on one occasion she invited twelve or fifteen friends to listen to her brother's reading during her "calm." The poem read was the "Voyage du jeune Anacharsis en Grèce," in which a dinner was described, and even the receipts for making various sauces were given. The artist was seized with the idea of improvising a Greek supper.
She summoned her cook and instructed her in what had been read. Among her guests were several unusually pretty ladies, who attired themselves in Greek costumes as nearly as the time permitted. Mme. Le Brun retained the white blouse she wore at her work, adding a veil and a crown of flowers. Her studio was rich in antique objects, and a dealer whom she knew loaned her cups, vases, and lamps. All was arranged with the effect an artist knows how to produce.
As the guests arrived Mme. Le Brun added here and there an element of Grecian costume until their number was sufficient for an effective tableau vivant. Her daugh-
