Page:Women in the Fine Arts From the Seventh Century B.C. to the Twentiet.djvu/468

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WOMEN IN THE FINE ARTS
355


England"; "Antwerp Market"; "Queen Mary of Scots' farewell to James I."; "Washing Day at the Liverpool Docks"; "The Princes in the Tower"; "George III. and Mrs. Delayney, with his family at Windsor"; "The Young Pretender," and many others.

When sixteen Mrs. Ward exhibited two heads in crayon. In 1903, at the Academy, she exhibited "The Dining-room, Kent House, Knightsbridge." Mrs. Ward painted for Queen Victoria two portraits of the Princess Beatrice, and a life-size copy of a portrait of the Duke of Albany. She also painted a portrait of Princess Alice of Albany, who is about to marry Prince Alexander of Teck.

Edward VII. has commissioned this artist to make two copies of the state portrait, painted by S. Luke Fildes, R.A.

Mrs. Ward had two more votes for her admission to the Royal Academy than any other woman of her time has had.

Wasser, Anna. Born at Zurich, 1676, is notable among the painters of her country. She was the daughter of an artist, and early developed a love of drawing and an unusual aptitude in the study of languages. In painting she was a pupil of Joseph Werner. After a time she devoted herself to miniature painting; her reputation extended, to all the German courts, as well as to Holland and England, and her commissions were so numerous that her father began to regard her as a mine of riches. He allowed her neither rest nor recreation, and was even unwilling that she should devote sufficient time to her pictures to finish them properly. Under this pressure of