Page:Works of Charles Dickens, ed. Lang - Volume 29.djvu/61

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EXCELLENT ARRANGEMENTS.
35

in the audience; a general air of consideration, decorum, and supervision, most commendable; an unquestionably humanising influence in all the social arrangements of the place.

Surely a dear Theatre, then? Because there were in London (not very long ago) Theatres with entrance-prices up to half-a-guinea a head, whose arrangements were not half so civilised. Surely, therefore, a dear Theatre? Not very dear. A gallery at threepence, another gallery at four-pence, a pit at sixpence, boxes and pit-stalls at a shilling, and a few private boxes at half-a-crown.

My uncommercial curiosity induced me to go into every nook of this great place, and among every class of the audience assembled in it—amounting that evening, as I calculated, to about two thousand and odd hundreds. Magnificently lighted by a firmament of sparkling chandeliers, the building was ventilated to perfection. My sense of smell, without being particularly delicate, has been so offended in some of the commoner places of public resort, that I have often been obliged to leave them when I have made an uncommercial journey expressly to look on. The air of this Theatre was fresh, cool, and wholesome. To help towards this end, very sensible precautions had been used, ingeniously combining the experience of hospitals and railway stations. Asphalt pavements substituted for wooden floors, honest bare walls of glazed brick and tile—even at the back of the boxes—for plaster and paper, no benches stuffed, and no carpeting or baize used; a cool material with a light glazed surface, being the covering of the seats.

These various contrivances are as well considered in the place in question as if it were a Fever Hospital; the result is, that it is sweet and healthful. It has been constructed from the ground to the roof, with a careful reference to sight and sound in every corner; the result is, that its form is beautiful, and that the appearance of the audience, as seen from the proscenium—with every face in it commanding the stage, and the whole so admirably raked and turned to that