Page:Works of Jules Verne - Parke - Vol 7.djvu/397

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CHAPTER VII
In which the Andantes become Allegros, and the Allegros Vivaces

The agitation caused by the Schut and Custos affair had subsided. The affair led to no serious consequences. It appeared likely that Quiquendone would return to its habitual apathy, which that unexpected event had for a moment disturbed.

Meanwhile, the laying of the pipes destined to conduct the oxyhydric gas into the principal edifices of the town was proceeding rapidly. The main pipes and branches gradually crept beneath the pavements. But the burners were still wanting; for, as it required delicate skill to make them, it was necessary that they should be fabricated abroad. Doctor Ox was here, there, and everywhere; neither he nor Ygene, his assistant, lost a moment, but they urged on the workmen, completed the delicate mechanism of the gasometer, fed day and night the immense piles which decomposed the water under the influence of a powerful electric current. Yes, the doctor was already making his gas, though the pipe-laying was not yet done; a fact which, between ourselves, might have seemed a little singular. But before long,—at least there was reason to hope so,—before long Doctor Ox would inaugurate the splendors of his invention in the theater of the town.

For Quiquendone possessed a theater—a really fine edifice, in truth-the interior and exterior arrangement of which combined every style of architecture. Nor was this surprising, the theater having been commenced under the burgomaster Ludwig Van Tricasse, in 1175, and only finished in 1837, under the burgomaster Natalis Van Tricasse. It had required seven hundred years to build it, and it had been successively adapted to the architectural style in vogue in each period. But for all that it was an imposing structure; the Roman pillars and Byzantine arches of which would appear to advantage lit up by the oxyhydric gas.

Pretty well everything was acted at the theater of Quiquendone; but the opera and the opera comique were especially patronized. It must, however, be added that the composers would never have recognized their own works, so entirely changed were the movements" of the music.

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