Page:Works of Thomas Carlyle - Volume 02.djvu/250

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220
CONSOLIDATION
[BK. VI. CH. II.

their Theory of Irregular Verbs; governing France, and being governed by it; with toil and noise;—cutting asunder ancient intolerable bonds; and, for new ones, assiduously spinning ropes of sand. Were their labours a nothing or a something, yet the eyes of all France being reverently fixed on them, History can never very long leave them altogether out of sight.

For the present, if we glance into that Assembly-Hall of theirs, it will be found, as is natural, 'most irregular.' As many as 'a hundred members are on their feet at once'; no rule in making motions, or only commencements of a rule; Spectators' Gallery allowed to applaud, and even to hiss;[1] President, appointed once a fortnight, raising many times no serene head above the waves. Nevertheless, as in all human Assemblages, like does begin arranging itself to like; the perennial rule, Ubi homines sunt modi sunt, proves valid. Rudiments of Methods disclose themselves; rudiments of Parties. There is a Right Side (Côté Droit), a Left Side (Côté Gauche); sitting on M. le President's right hand, or on his left: the Côté Droit conservative; the Côté Gauche destructive. Intermediate is Anglo-maniac Constitutionalism, or Two-Chamber Royalism; with its Mouniers, its Lallys,—fast verging towards nonentity. Pre-eminent, on the Right Side, pleads and perorates Cazalès the Dragoon-captain, eloquent, mildly fervent; earning for himself the shadow of a name. There also blusters Barrel-Mirabeau, the Younger Mirabeau, not without wit: dusky D'Espréménil does nothing but sniff and ejaculate; might, it is fondly thought, lay prostrate the Elder Mirabeau himself, would he but try,[2]—which he does not. Last and greatest, see, for one moment the Abbé Maury; with his jesuitic eyes, his impassive brass face, 'image of all the cardinal sins.' Indomitable, unquenchable, he fights jesuitico-rhetorically; with toughest lungs and heart; for Throne, especially for Altar and Tithes. So that a shrill voice exclaims once, from the Gallery: 'Messieurs of

  1. Arthur Young, i. 111.
  2. Biographie Universelle, § D'Espréménil (by Beaulieu).