masquerade; and for a time he enjoyed his exotic manycoloured aspect, the more from its contrast with his late way of life. His public duty was not difficult, and he performed it punctually; his salary sufficed him; there were theatres and music on every hand; and the streets were peopled with a motley tumult of the strangest forms: 'gay silken Polesses, talking and promenading over broad stately squares; the ancient venerable Polish noble, with moustaches, caftan, sash, and red or yellow boots; the new race equipped as Parisian Incroyables; with foreigners of every nation'; not excluding long-bearded Jews, puppetshow-men, monks and dancing-bears. In a little while, Hoffmann had formed some acquaintances among the human part of the throng; with one Hitzig, his colleague in office, he established a lasting intimacy. It began oddly enough: one day the two were walking home together from the Court, and engaged in laborious, stinted and formal conversation, when Hoffmann, asking the character of some individual, the other answered, in the words of Falstaff, that he was 'a fellow in buckram'; a phrase which enlightened the caustic visage of Hoffmann, at all times shy to strangers, and at once raised him into one of his brilliant communicative moods. This Hitzig, himself a man of talent and energy, was of great service in assisting Hoffmann's intellectual culture while at Warsaw, and stood by him afterwards in many difficult emergencies.
An enthusiast dilettante prepared a new source of interest to Hoffmann, by a scheme which he proposed of erecting a Musical Institution. By dint of great effort, the dilettante succeeded in procuring subscribers; first one deserted palace, then a larger one, was purchased for a hall of meeting: and Hoffmann, seeing that the scheme was really to take effect, now entered into it with heart and hand. He planned the arrangement of the rooms in the New Ressource: for their decorations, he sketched cartoons, part of which were painted by other artists, part he himself painted; not forgetting to introduce caricature portraits of many honest subscribers,
