wriggle or screw out something that shall live,—respected, intact, intangible, not to be sneezed at?[1]
March 6. How can a man sit down and quietly pare his nails, while the earth goes gyrating ahead amid such a din of sphere music, whirling him along about her axis some twenty-four thousand miles between sun and sun, but mainly in a circle some two millions of miles actual progress? And then such a hurly-burly on the surface—wind always blowing—now a zephyr, now a hurricane—tides never idle, ever fluctuating—no rest for Niagara, but perpetual ran-tari on those limestone rocks—and then that summer simmering which our ears are used to, which would otherwise be christened confusion worse confounded, but is now ironically called "silence audible," and above all the incessant tinkering named "hum of industry," the hurrying to and fro and confused jabbering of men. Can man do less than get up and shake himself?
COMPOSITION
March 7. We should not endeavor coolly to analyze our thoughts, but, keeping the pen even and parallel with the current, make an accurate transcript of them. Impulse is, after all, the best linguist, and for his logic, if not conformable to Aristotle, it cannot fail to be most convincing. The nearer we approach to a complete but simple transcript of our thought the more tolerable will be the piece, for we can endure to consider ourselves in a state of passivity or in involuntary action, but rarely our efforts, and least of all our rare efforts.
- ↑ ["Carlyleish" is written in the margin against this passage.]
