Silence is ever less strange than noise, lurking amid the boughs of the hemlock or pine just in proportion as we find ourselves there. The nuthatch, tapping the upright trunks by our side, is only a partial spokesman for the solemn stillness.
She is always at hand with her wisdom, by roadsides and street corners; lurking in belfries, the cannon's mouth, and the wake of the earthquake; gathering up and fondling their puny din in her ample bosom.
Those divine sounds which are uttered to our inward ear—which are breathed in with the zephyr or reflected from the lake—come to us noiselessly, bathing the temples of the soul, as we stand motionless amid the rocks.
The halloo is the creature of walls and masonwork; the whisper is fittest in the depths of the wood, or by the shore of the lake; but silence is best adapted to the acoustics of space.
All sounds are her servants and purveyors, proclaiming not only that their mistress is, but is a rare mistress, and earnestly to be sought after. Behind the most distinct and significant hovers always a more significant silence which floats it. The thunder is only our signal gun, that we may know what communion awaits us. Not its dull sound, but the infinite expansion of our being which ensues, we praise and unanimously name sublime.
