Pierre and Luce/16

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Pierre and Luce
by Romain Rolland, translated by Charles De Kay
Chapter XVI
764170Pierre and Luce — Chapter XVICharles De KayRomain Rolland

For Holy Friday the heavens remained clothed in their long gray veils; but the air was soft and calm. In the streets one saw flowers, jonquils, stocks. Pierre took a few which she kept in her hand. They followed the peaceful Quai des Orfèvres and passed along the base of pure Notre-Dame. The charm of the Old City, clothed in a discreet light, surrounded them with its noble gentleness. On the Place Saint Gervais pigeons flew up under their feet. They followed them with their eyes about the façade of the church; one of the birds settled on the head of a statue. At the top of the steps to the parvis before the church, as they were about to enter, Luce turned about and perceived in the midst of the crowd a few steps away a little girl with reddish hair, about a dozen years old, leaning against the portal, both raised above her head, who was looking at them. She had the fine and somewhat archaic face of some little cathedral statue, with an enigmatic smile, graceful, shrewd and tender. Luce smiled also at her while calling Pierre's attention to her. But the little girl's gaze passed over her head and suddenly changed to fright. And hiding her face in her hands the child vanished.

"What is the matter with her?" asked Luce.

But Pierre did not look.

They entered. Above their heads the dove was cooing. Last noise from outside. The voices of Paris were quenched. The fresh air ceased. The hangings of the organ, the lofty vaultings, the curtain of stones and sounds parted them from the world.

They installed themselves in one of the side aisles between the second and the third chapel on the left as you enter. In the hollow of a pier both of them crouched, seated on some steps, hidden from the rest of the assembly. Turning their backs to the choir, on raising their eyes they saw the summit of the altar, the crucifix and the stained windows of a lateral chapel. The beautiful old chants wept out their pious melancholy. They were holding hands, the two little pagans, before the Great Friend, in the church all swathed in mourning. And both of them at the same time murmured in a low voice:

"Great Friend, before your face I take him, I take her. Unite us! You see our hearts."

And their fingers remained joined and interlaced like the straw of a basket. They were one single flesh which the waves of music passed through with their shivering notes. They took to dreaming, as if they lay in the same bed.

Luce saw again in her thought that little girl with reddish hair. And behold it seemed to her that she recalled how she had seen her before in a dream the past night. She could not reach the point of knowing whether that was actually true, or if she were projecting the vision of the present back to the past slumber. Then, weary of the effort, her thoughts allowed themselves to float.

Pierre pondered over the days of his short, expended life. The lark that rises from the misty plain to reach the sun . . . How far it is! How high it is! Will it ever be reached? . . . The fog thickens. There is no earth any more, there are no heavens any more. And strength gives out . . . Suddenly, while beneath the vault of the choir a Gregorian vocalise trickled down, the jubilant song gushed forth, and out from the shadows emerges the little shivering form of the lark that swims on the sea of light without shore. . . .

A pressure of their fingers recalled to them that they were swimming together. They found themselves again in the darkness of the church, closely pressed together, listening to the beautiful chants; their hearts melted with love and touched the summits of the purest joy. And both of them desired—they prayed—never to descend to earth again.

At that moment Luce, who had just kissed her dear little comrade with a passionate glance—(his eyes half closed and his lips parted, he appeared lost in an ecstasy of happiness and raised his head in a rush of thankful joy toward that supreme Power which we look for instinctively on high)—Luce saw with terror, in the red and gilded window of the chapel, the face of the reddish-haired child of the parvis who was smiling at her. And as she sat mute, frozen with astonishment, she saw once more on that strange visage the same expression of fright and of pity.

And at the same instant the great pier against which they leaned their backs moved, and down to its very base the entire church trembled. And Luce, whose heart beats deadened in her the crash of the explosion and the shrieks of the crowd, threw herself without having time to fear or to suffer upon Pierre, in order to cover him with her body like a hen with her brood—upon Pierre, who with closed eyes was smiling with happiness. With a maternal movement she clasped the dear head against her bosom and that with all her power; and, coiled upon him, her mouth on his neck, they shrank to their utmost.

And the massive pier crumbled down upon them with one crash.

the end