Spider Boy/Advertisements
The Work of Carl Van Vechten
Music After the Great War. New York: G. Schirmer. 1915.
Music and Bad Manners. New York: Alfred A. Knopf. 1916.
Interpreters and Interpretations. New York: Alfred A. Knopf. 1917.
The Music of Spain. New York: Alfred A. Knopf. 1918. London: Kegan Paul, Trench, Tribner & Co. 1920.
The Merry-Go-Round. New York: Alfred A. Knopf. 1918.
In the Garret. New York: Alfred A. Knopf. 1920.
Interpreters. New York: Alfred A. Knopf. 1920.
The Tiger in the House. New York: Alfred A. Knopf. 1920. New York: Alfred A. Knopf. 1924. London: William Heinemann. 1921.
Peter Whiffle. New York: Alfred A. Knopf. 1922, 1927. London: Grant Richards. 1923, 1928.
The Blind Bow-boy. New York: Alfred A. Knopf. 1923, 1925. London: Grant Richards. 1923.
The Tattooed Countess. New York: Alfred A. Knopf. 1924. London: Alfred A. Knopf. 1926.
Red: Papers on Musical Subjects. New York: Alfred A. Knopf. 1925.
Firecrackers. New York: Alfred A. Knopf. 1925. London: Alfred A. Knopf. 1927.
Excavations. New York: Alfred A. Knopf. 1926. London: Alfred A. Knopf. 1926.
Nigger Heaven. New York: Alfred A. Knopf. 1926. London: Alfred A. Knopf. 1926. Helsingfors: Holger Schilds—Forlag. 1927. Paris: Simon Kra. 1927.
Spider Boy. New York: Alfred A. Knopf. 1928. London: Alfred A. Knopf. 1928.
A Note on the Type in which this Book is set
The type in which this book has been set is based on the design of Caslon (1692–1766) who, it is generally conceded brought the old-style letter to its highest perfection. While certain modifications have been introduced to meet changing printing conditions, the basic design of the Caslon letters has never been improved. The type selected for this book is a modern adaptation rather than an exact copy of the original.
Set up, electrotyped, printed
and bound by
the Plimton Press, Norwood, Mass.,
paper made by
W. C. Hamilton & Sons, Miquon, Pa.