Sweden's Laureate: Selected Poems of Verner von Heidenstam/Djufar's Song
Jump to navigation
Jump to search
DJUFAR'S SONG.
In Tanta, city of the dancing-girls,
Where white and yellow cotton-blossoms grow,
Where maize-fields fringe the delta-ed Nile with green,
And water-wheels are turned by buffalo,—
In that same town old Djufar lived, a man
Famed for his tongue, for he had power to rhyme
With the long verses that the Orient loves
In rhythm to the merry dancers' time.
So well he sang the town—its minarets,
Its hundred dove-towers, and its market-place—
That the charmed listener sprang not up to dance,
But rather wept, his hand before his face.
Where white and yellow cotton-blossoms grow,
Where maize-fields fringe the delta-ed Nile with green,
And water-wheels are turned by buffalo,—
In that same town old Djufar lived, a man
Famed for his tongue, for he had power to rhyme
With the long verses that the Orient loves
In rhythm to the merry dancers' time.
So well he sang the town—its minarets,
Its hundred dove-towers, and its market-place—
That the charmed listener sprang not up to dance,
But rather wept, his hand before his face.
Early one morn he sat beside his door,
Full-clad, though still the rising sun was red.
Then all the maidens at the fountain cried:
"Djufar's composing, he's forgot his bed,
So that this evening when mid hashish fumes,
Barefooted, to the sound of flutes we dance
The veil-dance, he may sing and lure us first
To laughter and anon to tears, perchance."
Full-clad, though still the rising sun was red.
Then all the maidens at the fountain cried:
"Djufar's composing, he's forgot his bed,
So that this evening when mid hashish fumes,
Barefooted, to the sound of flutes we dance
The veil-dance, he may sing and lure us first
To laughter and anon to tears, perchance."
Then answered Djufar: "Have I time for song,
I, whom a desert grave will soon devour?
Not even for my slumber would I lose
So cool and exquisite a morning hour."
Then cried the youngest girl, as with a laugh
She set on her black hair the jar of clay:
"Our friend is over-old to poetize.
Why, when will Djufar be a hundred, pray?"
I, whom a desert grave will soon devour?
Not even for my slumber would I lose
So cool and exquisite a morning hour."
Then cried the youngest girl, as with a laugh
She set on her black hair the jar of clay:
"Our friend is over-old to poetize.
Why, when will Djufar be a hundred, pray?"
Enraged, the bent old man arose and strewed
Crumbs for his doves with visage all a-frown.
But when he saw the cupolas that swelled
Like clustered grapes above his native town,
And looked across the plain, his aspect cleared.
"Come then, were I a hundred years and more,
My ancient tongue would still have strength to sing
While yonder scene was spread around my door."
Crumbs for his doves with visage all a-frown.
But when he saw the cupolas that swelled
Like clustered grapes above his native town,
And looked across the plain, his aspect cleared.
"Come then, were I a hundred years and more,
My ancient tongue would still have strength to sing
While yonder scene was spread around my door."
They shouted. People hurried from the town
And sat as round a camp-fire in a mass;
The drummer brought his kettle-drum along,
Of fish-skin spread across a bowl of brass.
At length, when the musicians formed a ring,
Their flutes uplifted, lutes upon the knee,
And slender rebecs with the strings on pegs
Of bright wood from the Indian sandal-tree,
And when in the soft motion of the dance
The coin that on each maiden's brow was set
Began to glitter like a spark of fire,
Djufar approached the fountain-parapet.
And sat as round a camp-fire in a mass;
The drummer brought his kettle-drum along,
Of fish-skin spread across a bowl of brass.
At length, when the musicians formed a ring,
Their flutes uplifted, lutes upon the knee,
And slender rebecs with the strings on pegs
Of bright wood from the Indian sandal-tree,
And when in the soft motion of the dance
The coin that on each maiden's brow was set
Began to glitter like a spark of fire,
Djufar approached the fountain-parapet.
He carefully drew out a scroll and pen
From the long silver sheath where they were stored
And snapped the ink-horn open that had hung
Beside him on a yellow silken cord.
Untroubled calm lay over all the place,
On Silence's forever silent land,
The land of lethargy, hushed Egypt, where
The very wave breaks voiceless on the strand.
Sleeping flamingoes lined the bank! A boat
Swam down the yellow mirror of the tide,
Its after-cabin painted green and red,
Drifting with neither oar nor sail to guide.
From the long silver sheath where they were stored
And snapped the ink-horn open that had hung
Beside him on a yellow silken cord.
Untroubled calm lay over all the place,
On Silence's forever silent land,
The land of lethargy, hushed Egypt, where
The very wave breaks voiceless on the strand.
Sleeping flamingoes lined the bank! A boat
Swam down the yellow mirror of the tide,
Its after-cabin painted green and red,
Drifting with neither oar nor sail to guide.
Old Djufar mounted on the parapet
Solemnly, like an actor much-renowned,
And mothers raised their little children up
To wait his song—but Djufar made no sound.
His eyes dilated and glowed out beneath
His forehead, which was brown as darkened leather,
And in his eagerly uplifted hand
Against the blue sky shone the pen's white feather.
Solemnly, like an actor much-renowned,
And mothers raised their little children up
To wait his song—but Djufar made no sound.
His eyes dilated and glowed out beneath
His forehead, which was brown as darkened leather,
And in his eagerly uplifted hand
Against the blue sky shone the pen's white feather.
He moved his lips in silence, he who oft
Had charmed forth tears and laughter from the rest
Both with his verses and his ringing voice
Now let his chin sink slowly to his breast.
Had charmed forth tears and laughter from the rest
Both with his verses and his ringing voice
Now let his chin sink slowly to his breast.
He turned him from the folk and with a sleeve
Of his burnoús he covered all his head.
He burst out weeping. He let fall his pen
And back into his lowly home he fled.
Of his burnoús he covered all his head.
He burst out weeping. He let fall his pen
And back into his lowly home he fled.
Then cried the foremost maiden: "In good truth
Djufar is fated never to be stirred
By poet rapture more."—The next went home
In anger from the fountain, but the third
Beckoned to the musicians not to go.
Then where the scroll lay wet with tears she bent,
She raised it up, and, followed by the folk
To merry string- and drum-notes forth she went.
She bore it to the city's tranquil shrine,
Where in an aisle the scroll was kept, and long
Did Tanta's daughters come to kiss it there,
Thinking the while of Djufar's silent song.
Djufar is fated never to be stirred
By poet rapture more."—The next went home
In anger from the fountain, but the third
Beckoned to the musicians not to go.
Then where the scroll lay wet with tears she bent,
She raised it up, and, followed by the folk
To merry string- and drum-notes forth she went.
She bore it to the city's tranquil shrine,
Where in an aisle the scroll was kept, and long
Did Tanta's daughters come to kiss it there,
Thinking the while of Djufar's silent song.
The eye-joy that the Orient affords.
No man with rows of signs can teach the soul;
But ancient Djufar paints the ecstasy
Most truly on his tear-stained, empty scroll.
No man with rows of signs can teach the soul;
But ancient Djufar paints the ecstasy
Most truly on his tear-stained, empty scroll.