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The "Bottle-oh" Man

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The "Bottle-oh" Man (1899)
by Banjo Paterson
231876The "Bottle-oh" Man1899Banjo Paterson

I ain't the kind of bloke as takes to any steady job;
I drives me bottle cart around the town;
A bloke what keeps 'is eyes about can always make a bob --
I couldn't bear to graft for every brown.
There's lots of handy things about in everybody's yard,
There's cocks and hens a-runnin' to an' fro,
And little dogs what comes and barks -- we take 'em off their guard
And we puts 'em with the Empty Bottle-O!

    Chorus --
    So it's any "Empty bottles! Any empty bottle-O!"
    You can hear us round for half a mile or so
    And you'll see the women rushing
    To take in the Monday's washing
    When they 'ear us crying, "Empty Bottle-O!"

I'm driving down by Wexford-street and up a winder goes,
A girl sticks out 'er 'ead and looks at me,
An all-right tart with ginger 'air, and freckles on 'er nose;
I stops the cart and walks across to see.
"There ain't no bottles 'ere," says she, "since father took the pledge,"
"No bottles 'ere," says I, "I'd like to know
What right 'ave you to stick your 'ead outside the winder ledge,
If you 'aven't got no Empty Bottle-O!"

I sometimes gives the 'orse a spell, and then the push and me
We takes a little trip to Chowder Bay.
Oh! ain't it nice the 'ole day long a-gazin' at the sea
And a-hidin' of the tanglefoot away.
But when the booze gits 'old of us, and fellows starts to "scrap",
There's some what likes blue-metal for to throw:
But as for me, I always says for layin' out a "trap"
There's nothing like an Empty Bottle-O!

This work is in the public domain in Australia because it was created in Australia and the term of copyright has expired. According to Australian Copyright Council - Duration of Copyright, the following works are public domain:

  • published non-government works whose author died before January 1, 1955,
  • anonymous or pseudonymous works and photographs published before January 1, 1955, and
  • government works published more than 50 years ago (before January 1, 1974).

This work is also in the public domain in the United States because it was first published outside the United States (and not published in the U.S. within 30 days), and it was first published before 1989 without complying with U.S. copyright formalities (renewal and/or copyright notice) and it was in the public domain in Australia on the URAA date (January 1, 1996). This is the combined effect of Australia having joined the Berne Convention in 1928, and of 17 USC 104A with its critical date of January 1, 1996.

Because the Australian copyright term in 1996 was 50 years, the critical date for copyright in the United States under the URAA is January 1, 1946.


This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.

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