Specimen Carbon Print,
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Vignette
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page
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Preface,
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3
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Introduction,
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9
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Swan's Carbon Process,
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15
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Crosman's Carbon Tissue,
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25
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Details of Manipulation,
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28
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Preparing the Non-Sensitive Tissue,
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28
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Sensitizing the Tissue,
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32
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Exposure Under the Negative,
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35
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Mounting and Preparation for Development of the Image,
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36
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Development and Washing,
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39
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Transferring the Prints,
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43
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The Sensitive Collodio-Gelatine Tissue,
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48
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Carbon Printing in the Solar Camera,
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52
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Swan's Actinometer,
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54
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Vogel's New Photometer,
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56
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The Chromic Salts,
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60
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Physiological Effects of Chromic Salts,
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61
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The Pigments Employed,
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63
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The Gelatine,
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65
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A Hint on the Preparation of Solution of India-rubber in Benzole,
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66
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Coloring Carbon Prints,
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67
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Practical Notes on the Carbon Process,
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68
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Transferring Without a Press,
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68
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Transferring Without Gelatine
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69
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Carbon Prints on Porcelain Glass,
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70
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Carbon Negatives,
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71
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Failures, Faults, and Remedies,
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71
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Spontaneous Insolubility of the Tissue,
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71
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Tardy Solution of the Superfluous Gelatine in Development,
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72
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Bichromate of Potash Crystallizing on the Tissue in Drying,
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72
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Uneven Development,
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72
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Blisters During Development,
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73
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Over Exposure,
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73
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Under Exposure,
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74
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Weak and Flat Prints,
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74
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Hardness and Excessive Contrast,
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74
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An Uneven Texture in the Finished Print,
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75
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Portions of the Image Tearing Off in Transferring,
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75
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A Green Tint Pervading the Blacks,
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75
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Unequal Sensitiveness,
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75
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The Gelatinous Coating Runs in Sensitizing,
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76
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Dark Spots,
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76
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A Sparkling Appearance in the Prints after Transfer,
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76
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Cracking of the Film,
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76
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Many Mites from Many Minds,
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76
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Historical Notes on Carbon Printing, 1814 to 1868,
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83
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