The Black Man (Brown)/Charles L. Reason
CHARLES L. REASON.
Professor C. L. Reason has for many years been connected with the educational institutions of New York and Philadelphia. In 1849, he was called to the professorship of Mathematics and Belles Lettres in New York Central College. This situation he held during his own pleasure, with honor to himself and benefit to the students. A man of fine education, superior intelligence, gentlemanly in every sense of the term, of excellent discrimination, one of the best of students, Professor Reason holds a power over those under him seldom attained by men of his profession. Were I a sculptor, and looking for a model of a perfect man in personal appearance, my selection would be Charles L. Reason. As a writer of both prose and poetry he need not be ashamed of his ability. Extremely diffident, he seldom furnishes any thing for the public eye. In a well-written essay on the propriety of establishing an industrial college, and the probable influence of the free colored people upon the emancipated blacks, he says, "Whenever emancipation shall take place, immediate though it be, the subjects of it, like many who now make up the so-called free population, will be, in what geologists call, the 'transition state.' The prejudice now felt against them for bearing on their persons the brand of slaves, cannot die out immediately. Severe trials will still be their portion: the curse of a 'taunted race,' must be expiated by almost miraculous proofs of advancement; and some of these miracles must be antecedent to the great day of jubilee. To fight the battle upon the bare ground of abstract principles will fail to give us complete victory. The subterfuges of pro-slavery selfishness must now be dragged to light, and the last weak argument, that the negro can never contribute any thing to advance the national character, 'nailed to the counter as base coin.' To the conquering of the difficulties heaped up in the path of his industry, the free colored man of the north has pledged himself. Already he sees, springing into growth, from out his foster work-school, intelligent young laborers, competent to enrich the world with necessary products; industrious citizens, contributing their proportion to aid on the advancing civilization of the country; self-providing artisans, vindicating their people from the never-ceasing charge of fitness for servile positions." In the "Autographs for Freedom," from which the above extract is taken, Professor Reason has a beautiful poem, entitled "Hope and Confidence," which, in point of originality and nicety of composition, will give it a place with the best productions of Wordsworth.
A poem signifies design, method, harmony, and therefore consistency of parts. A man may be gifted with the most vividly ideal nature; he may shoot from his brain some blazing poetic thought or imagery, which may arouse wonder and admiration, as a comet does; and yet he may have no constructiveness, without which the materials of poetry are only so many glittering fractions. A poem can never be tested by its length or brevity, but by the adaptation of its parts. A complete poem is the architecture of thought and language. It requires artistic skill to chisel rough blocks of marble into as many individual forms of beauty; but not only skill, but genius, is needed to arrange and harmonize those forms into the completeness of a Parthenon. A grave popular error, and one destructive of personal usefulness, and obstructive to literary progress, is the free-and-easy belief that because a man has the faculty of investing common things with uncommon ideas, therefore he can write a poem.
The idea of poetry is to give pleasurable emotions, and the world listens to a poet's voice as it listens to the singing of a summer bird; that which is the most suggestive of freedom and eloquence being the most admired. Professor Reason has both the genius and the artistic skill. We regret that we are able to give only the last two verses of "Hope and Confidence."
"There's nothing so lovely and bright below,
As the shapes of the purified mind;
Nought surer to which the weak heart can grow,
On which it can rest as it onward doth go,
Than that Truth which its own tendrils bind.
"Yes, Truth opes within a pure sun-tide of bliss,
And shows in its ever calm flood
A transcript of regions where no darkness is,
Where Hope its conceptions may realize,
And Confidence sleep in the good."