The Duchesse de Langeais/Section 3

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185915The Duchesse de Langeais — Section 3Ellen MarriageHonoré de Balzac

At the beginning of that ephemeral life led by the Faubourg Saint-Germain under the Restoration, to which, if there is any truth in the above reflections, they failed to give stability, the most perfect type of the aristocratic caste in its weakness and strength, its greatness and littleness, might have been found for a brief space in a young married woman who belonged to it. This was a woman artificially educated, but in reality ignorant; a woman whose instincts and feelings were lofty while the thought which should have controlled them was wanting. She squandered the wealth of her nature in obedience to social conventions; she was ready to brave society, yet she hesitated till her scruples degenerated into artifice. With more wilfulness than real force of character, impressionable rather than enthusiastic, gifted with more brain than heart; she was supremely a woman, supremely a coquette, and above all things a Parisienne, loving a brilliant life and gaiety, reflecting never, or too late; imprudent to the verge of poetry, and humble in the depths of her heart, in spite of her charming insolence. Like some straight-growing reed, she made a show of independence; yet, like the reed, she was ready to bend to a strong hand. She talked much of religion, and had it not at heart, though she was prepared to find in it a solution of her life. How explain a creature so complex? Capable of heroism, yet sinking unconsciously from heroic heights to utter a spiteful word; young and sweet-natured, not so much old at heart as aged by the maxims of those about her; versed in a selfish philosophy in which she was all unpractised, she had all the vices of a courtier, all the nobleness of developing womanhood. She trusted nothing and no one, yet there were times when she quitted her sceptical attitude for a submissive credulity.

How should any portrait be anything but incomplete of her, in whom the play of swiftly-changing colour made discord only to produce a poetic confusion? For in her there shone a divine brightness, a radiance of youth that blended all her bewildering characteristics in a certain completeness and unity informed by her charm. Nothing was feigned. The passion or semi-passion, the ineffectual high aspirations, the actual pettiness, the coolness of sentiment and warmth of impulse, were all spontaneous and unaffected, and as much the outcome of her own position as of the position of the aristocracy to which she belonged. She was wholly self-contained; she put herself proudly above the world and beneath the shelter of her name. There was something of the egoism of Medea in her life, as in the life of the aristocracy that lay a-dying, and would not so much as raise itself or stretch out a hand to any political physician; so well aware of its feebleness, or so conscious that it was already dust, that it refused to touch or be touched.

The Duchesse de Langeais (for that was her name) had been married for about four years when the Restoration was finally consummated, which is to say, in 1816. By that time the revolution of the Hundred Days had let in the light on the mind of Louis XVIII. In spite of his surroundings, he comprehended the situation and the age in which he was living; and it was only later, when this Louis XI, without the axe, lay stricken down by disease, that those about him got the upper hand. The Duchesse de Langeais, a Navarreins by birth, came of a ducal house which had made a point of never marrying below its rank since the reign of Louis XIV. Every daughter of the house must sooner or later take a tabouret at Court. So, Antoinette de Navarreins, at the age of eighteen, came out of the profound solitude in which her girlhood had been spent to marry the Duc de Langeais' eldest son. The two families at that time were living quite out of the world; but after the invasion of France, the return of the Bourbons seemed to every Royalist mind the only possible way of putting an end to the miseries of the war.

The Ducs de Navarreins and de Langeais had been faithful throughout to the exiled Princes, nobly resisting all the temptations of glory under the Empire. Under the circumstances they naturally followed out the old family policy; and Mlle Antoinette, a beautiful and portionless girl, was married to M. le Marquis de Langeais only a few months before the death of the Duke his father.

After the return of the Bourbons, the families resumed their rank, offices, and dignity at Court; once more they entered public life, from which hitherto they held aloof, and took their place high on the sunlit summits of the new political world. In that time of general baseness and sham political conversions, the public conscience was glad to recognise the unstained loyalty of the two houses, and a consistency in political and private life for which all parties involuntarily respected them. But, unfortunately, as so often happens in a time of transition, the most disinterested persons, the men whose loftiness of view and wise principles would have gained the confidence of the French nation and led them to believe in the generosity of a novel and spirited policy—these men, to repeat, were taken out of affairs, and public business was allowed to fall into the hands of others, who found it to their interest to push principles to their extreme consequences by way of proving their devotion.

The families of Langeais and Navarreins remained about the Court, condemned to perform the duties required by Court ceremonial amid the reproaches and sneers of the Liberal party. They were accused of gorging themselves with riches and honours, and all the while their family estates were no larger than before, and liberal allowances from the civil list were wholly expended in keeping up the state necessary for any European government, even if it be a Republic.

In 1818, M. le Duc de Langeais commanded a division of the army, and the Duchess held a post about one of the Princesses, in virtue of which she was free to live in Paris and apart from her husband without scandal. The Duke, moreover, besides his military duties, had a place at Court, to which he came during his term of waiting, leaving his major-general in command. The Duke and Duchess were leading lives entirely apart, the world none the wiser. Their marriage of convention shared the fate of nearly all family arrangements of the kind. Two more antipathetic dispositions could not well have been found; they were brought together; they jarred upon each other; there was soreness on either side; then they were divided once for all. Then they went their separate ways, with a due regard for appearances. The Duc de Langeais, by nature as methodical as the Chevalier de Folard himself, gave himself up methodically to his own tastes and amusements, and left his wife at liberty to do as she pleased so soon as he felt sure of her character. He recognised in her a spirit pre-eminently proud, a cold heart, a profound submissiveness to the usages of the world, and a youthful loyalty. Under the eyes of great relations, with the light of a prudish and bigoted Court turned full upon the Duchess, his honour was safe.

So the Duke calmly did as the grands seigneurs of the eighteenth century did before him, and left a young wife of two-and-twenty to her own devices. He had deeply offended that wife, and in her nature there was one appalling characteristic—she would never forgive an offence when woman's vanity and self-love, with all that was best in her nature perhaps, had been slighted, wounded in secret. Insult and injury in the face of the world a woman loves to forget; there is a way open to her of showing herself great; she is a woman in her forgiveness; but a secret offence women never pardon; for secret baseness, as for hidden virtues and hidden love, they have no kindness.

This was Mme la Duchesse de Langeais' real position, unknown to the world. She herself did not reflect upon it. It was the time of the rejoicings over the Duc de Berri's marriage. The Court and the Faubourg roused itself from its listlessness and reserve. This was the real beginning of that unheard-of splendour which the Government of the Restoration carried too far. At that time the Duchess, whether for reasons of her own, or from vanity, never appeared in public without a following of women equally distinguished by name and fortune. As queen of fashion she had her dames d'atours, her ladies, who modeled their manner and their wit on hers. They had been cleverly chosen. None of her satellites belonged to the inmost Court circle, nor to the highest level of the Faubourg Saint-Germain; but they had set their minds upon admission to those inner sanctuaries. Being as yet simple denominations, they wished to rise to the neighbourhood of the throne, and mingle with the seraphic powers in the high sphere known as le petit chateau. Thus surrounded, the Duchess's position was stronger and more commanding and secure. Her "ladies" defended her character and helped her to play her detestable part of a woman of fashion. She could laugh at men at her ease, play with fire, receive the homage on which the feminine nature is nourished, and remain mistress of herself.

At Paris, in the highest society of all, a woman is a woman still; she lives on incense, adulation, and honours. No beauty, however undoubted, no face, however fair, is anything without admiration. Flattery and a lover are proofs of power. And what is power without recognition? Nothing. If the prettiest of women were left alone in a corner of a drawing-room, she would droop. Put her in the very centre and summit of social grandeur, she will at once aspire to reign over all hearts—often because it is out of her power to be the happy queen of one. Dress and manner and coquetry are all meant to please one of the poorest creatures extant—the brainless coxcomb, whose handsome face is his sole merit; it was for such as these that women threw themselves away. The gilded wooden idols of the Restoration, for they were neither more nor less, had neither the antecedents of the petits maitres of the time of the Fronde, nor the rough sterling worth of Napoleon's heroes, not the wit and fine manners of their grandsires; but something of all three they meant to be without any trouble to themselves. Brave they were, like all young Frenchmen; ability they possessed, no doubt, if they had had a chance of proving it, but their places were filled up by the old worn-out men, who kept them in leading strings. It was a day of small things, a cold prosaic era. Perhaps it takes a long time for a Restoration to become a Monarchy.

For the past eighteen months the Duchesse de Langeais had been leading this empty life, filled with balls and subsequent visits, objectless triumphs, and the transient loves that spring up and die in an evening's space. All eyes were turned on her when she entered a room; she reaped her harvest of flatteries and some few words of warmer admiration, which she encouraged by a gesture or a glance, but never suffered to penetrate deeper than the skin. Her tone and bearing and everything else about her imposed her will upon others. Her life was a sort of fever of vanity and perpetual enjoyment, which turned her head. She was daring enough in conversation; she would listen to anything, corrupting the surface, as it were, of her heart. Yet when she returned home, she often blushed at the story that had made her laugh; at the scandalous tale that supplied the details, on the strength of which she analyzed the love that she had never known, and marked the subtle distinctions of modern passion, not with comment on the part of complacent hypocrites. For women know how to say everything among themselves, and more of them are ruined by each other than corrupted by men.

There came a moment when she discerned that not until a woman is loved will the world fully recognise her beauty and her wit. What does a husband prove? Simply that a girl or woman was endowed with wealth, or well brought up; that her mother managed cleverly that in some way she satisfied a man's ambitions. A lover constantly bears witness to her personal perfections. Then followed the discovery still in Mme de Langeais' early womanhood, that it was possible to be loved without committing herself, without permission, without vouchsafing any satisfaction beyond the most meagre dues. There was more than one demure feminine hypocrite to instruct her in the art of playing such dangerous comedies.

So the Duchess had her court, and the number of her adorers and courtiers guaranteed her virtue. She was amiable and fascinating; she flirted till the ball or the evening's gaiety was at an end. Then the curtain dropped. She was cold, indifferent, self-contained again till the next day brought its renewed sensations, superficial as before. Two or three men were completely deceived, and fell in love in earnest. She laughed at them, she was utterly insensible. "I am loved!" she told herself. "He loves me!" The certainty sufficed her. It is enough for the miser to know that his every whim might be fulfilled if he chose; so it was with the Duchess, and perhaps she did not even go so far as to form a wish.

One evening she chanced to be at the house of an intimate friend Mme la Vicomtesse de Fontaine, one of the humble rivals who cordially detested her, and went with her everywhere. In a "friendship" of this sort both sides are on their guard, and never lay their armor aside; confidences are ingeniously indiscreet, and not unfrequently treacherous. Mme de Langeais had distributed her little patronizing, friendly, or freezing bows, with the air natural to a woman who knows the worth of her smiles, when her eyes fell upon a total stranger. Something in the man's large gravity of aspect startled her, and, with a feeling almost like dread, she turned to Mme de Maufrigneuse with, "Who is the newcomer, dear?"

"Someone that you have heard of, no doubt. The Marquis de Montriveau."

"Oh! is it he?"

She took up her eyeglass and submitted him to a very insolent scrutiny, as if he had been a picture meant to receive glances, not to return them.

"Do introduce him; he ought to be interesting."

"Nobody more tiresome and dull, dear. But he is the fashion."

M. Armand de Montriveau, at that moment all unwittingly the object of general curiosity, better deserved attention than any of the idols that Paris needs must set up to worship for a brief space, for the city is vexed by periodical fits of craving, a passion for engouement and sham enthusiasm, which must be satisfied. The Marquis was the only son of General de Montriveau, one of the ci-devants who served the Republic nobly, and fell by Joubert's side at Novi. Bonaparte had placed his son at the school at Chalons, with the orphans of other generals who fell on the battlefield, leaving their children under the protection of the Republic. Armand de Montriveau left school with his way to make, entered the artillery, and had only reached a major's rank at the time of the Fontainebleau disaster. In his section of the service the chances of advancement were not many. There are fewer officers, in the first place, among the gunners than in any other corps; and in the second place, the feeling in the artillery was decidedly Liberal, not to say Republican; and the Emperor, feeling little confidence in a body of highly educated men who were apt to think for themselves, gave promotion grudgingly in the service. In the artillery, accordingly, the general rule of the army did not apply; the commanding officers were not invariably the most remarkable men in their department, because there was less to be feared from mediocrities. The artillery was a separate corps in those days, and only came under Napoleon in action.

Besides these general causes, other reasons, inherent in Armand de Montriveau's character, were sufficient in themselves to account for his tardy promotion. He was alone in the world. He had been thrown at the age of twenty into the whirlwind of men directed by Napoleon; his interests were bounded by himself, any day he might lose his life; it became a habit of mind with him to live by his own self-respect and the consciousness that he had done his duty. Like all shy men, he was habitually silent; but his shyness sprang by no means from timidity; it was a kind of modesty in him; he found any demonstration of vanity intolerable. There was no sort of swagger about his fearlessness in action; nothing escaped his eyes; he could give sensible advice to his chums with unshaken coolness; he could go under fire, and duck upon occasion to avoid bullets. He was kindly; but his expression was haughty and stern, and his face gained him this character. In everything he was rigorous as arithmetic; he never permitted the slightest deviation from duty on any plausible pretext, nor blinked the consequences of a fact. He would lend himself to nothing of which he was ashamed; he never asked anything for himself; in short, Armand de Montriveau was one of many great men unknown to fame, and philosophical enough to despise it; living without attaching themselves to life, because they have not found their opportunity of developing to the full their power to do and feel.

People were afraid of Montriveau; they respected him, but he was not very popular. Men may indeed allow you to rise above them, but to decline to descend as low as they can do is the one unpardonable sin. In their feeling towards loftier natures, there is a trace of hate and fear. Too much honour with them implies censure of themselves, a thing forgiven neither to the living nor to the dead.

After the Emperor's farewells at Fontainebleau, Montriveau, noble though he was, was put on half-pay. Perhaps the heads of the War Office took fright at uncompromising uprightness worthy of antiquity, or perhaps it was known that he felt bound by his oath to the Imperial Eagle. During the Hundred Days he was made a Colonel of the Guard, and left on the field of Waterloo. His wounds kept him in Belgium he was not present at the disbanding of the Army of the Loire, but the King's government declined to recognise promotion made during the Hundred Days, and Armand de Montriveau left France.

An adventurous spirit, a loftiness of thought hitherto satisfied by the hazards of war, drove him on an exploring expedition through Upper Egypt; his sanity or impulse directed his enthusiasm to a project of great importance, he turned his attention to that unexplored Central Africa which occupies the learned of today. The scientific expedition was long and unfortunate. He had made a valuable collection of notes bearing on various geographical and commercial problems, of which solutions are still eagerly sought; and succeeded, after surmounting many obstacles, in reaching the heart of the continent, when he was betrayed into the hands of a hostile native tribe. Then, stripped of all that he had, for two years he led a wandering life in the desert, the slave of savages, threatened with death at every moment, and more cruelly treated than a dumb animal in the power of pitiless children. Physical strength, and a mind braced to endurance, enabled him to survive the horrors of that captivity; but his miraculous escape well-nigh exhausted his energies. When he reached the French colony at Senegal, a half-dead fugitive covered with rags, his memories of his former life were dim and shapeless. The great sacrifices made in his travels were all forgotten like his studies of African dialects, his discoveries, and observations. One story will give an idea of all that he passed through. Once for several days the children of the sheikh of the tribe amused themselves by putting him up for a mark and flinging horses' knuckle-bones at his head.

Montriveau came back to Paris in 1818 a ruined man. He had no interest, and wished for none. He would have died twenty times over sooner than ask a favour of anyone; he would not even press the recognition of his claims. Adversity and hardship had developed his energy even in trifles, while the habit of preserving his self-respect before that spiritual self which we call conscience led him to attach consequence to the most apparently trivial actions. His merits and adventures became known, however, through his acquaintances, among the principal men of science in Paris, and some few well-read military men. The incidents of his slavery and subsequent escape bore witness to a courage, intelligence, and coolness which won him celebrity without his knowledge, and that transient fame of which Paris salons are lavish, though the artist that fain would keep it must make untold efforts.

Montriveau's position suddenly changed towards the end of that year. He had been a poor man, he was now rich; or, externally at any rate, he had all the advantages of wealth. The King's government, trying to attach capable men to itself and to strengthen the army, made concessions about that time to Napoleon's old officers if their known loyalty and character offered guarantees of fidelity. M. de Montriveau's name once more appeared in the army list with the rank of colonel; he received his arrears of pay and passed into the Guards. All these favours, one after another, came to seek the Marquis de Montriveau; he had asked for nothing however small. Friends had taken the steps for him which he would have refused to take for himself.

After this, his habits were modified all at once; contrary to his custom, he went into society. He was well received, everywhere he met with great deference and respect. He seemed to have found some end in life; but everything passed within the man, there were no external signs; in society he was silent and cold, and wore a grave, reserved face. His social success was great, precisely because he stood out in such strong contrast to the conventional faces which line the walls of Paris salons. He was, indeed, something quite new there. Terse of speech, like a hermit or a savage, his shyness was thought to be haughtiness, and people were greatly taken with it. He was something strange and great. Women generally were so much the more smitten with this original person because he was not to be caught by their flatteries, however adroit, nor by the wiles with which they circumvent the strongest men and corrode the steel temper. Their Parisian's grimaces were lost upon M. de Montriveau; his nature only responded to the sonorous vibration of lofty thought and feeling. And he would very promptly have been dropped but for the romance that hung about his adventures and his life; but for the men who cried him up behind his back; but for a woman who looked for a triumph for her vanity, the woman who was to fill his thoughts.

For these reasons the Duchesse de Langeais' curiosity was no less lively than natural. Chance had so ordered it that her interest in the man before her had been aroused only the day before, when she heard the story of one of M. de Montriveau's adventures, a story calculated to make the strongest impression upon a woman's ever-changing fancy.