The Forerunners (Romain Rolland)/IX

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IX

TO MAXIM GORKI

At Geneva, in January, 1917, A. V. Lunacharski delivered a lecture on the life and works of Maxim Gorki. The following tribute to Gorki was read before the lecture.

ABOUT fifteen years ago, in Paris, Charles Péguy, myself, and a few others, used to meet in a little ground-floor shop in the rue de la Sorbonne. We had just founded the "Cahiers de la Quinzaine." Our editorial office was poorly furnished, neat and clean; the walls were lined with books. A photograph was the only ornament. It showed Tolstoy and Gorki standing side by side in the garden at Yasnaya Polyana. How had Péguy got hold of it? I do not know, but he had had several reproductions made, and each of us had on his desk the picture of these two distant comrades. Under their eyes part of Jean Christophe was written.

One of the two men, the veteran apostle, has gone, on the eve of the European catastrophe whose coming he foretold and in which his voice has been so greatly needed. The other, Maxim Gorki, is at his post, and his free-spirited utterances help to console us for Tolstoy's silence.

Gorki has not proved one of those who succumbed to the vertigo of events. Amid the distressing spectacle of the thousands of writers, artists, and thinkers who, within a few days, laid down their role as guides and defenders of the masses, to follow the maddened herds, to drive these herds yet more crazy by their own cries, to hasten the rush into the abyss, Maxim Gorki was one of the rare exceptions, one of those whose reason and whose love of humanity remained unshaken. He dared to speak on behalf of the persecuted, on behalf of the gagged and enslaved masses. This great artist, who shared for so long the life of the unfortunate, of the humble, of the victims, of the outcasts of society, has never denied his sometime companions. Having become famous, he turns back to them, throwing the powerful light of his art into the dark places where wretchedness and social injustice are hidden away. His generous soul has known suffering; he does not close his eyes to the sufferings of others.

Haud ignara mali, miseris succurrere disco.…

Consequently, in these days of trial (trial which we greet, because it has taught us to take stock of ourselves, to estimate the true value of hearts and of thoughts), in these days when freedom of the spirit is everywhere oppressed, we must cry aloud our homage to Maxim Gorki. Across the battlefields, across the trenches, across a bleeding Europe, we stretch forth our hands to him. Henceforward, in face of the hatred which rages among the nations, we must affirm the union of New Europe. To the fighting "Holy Alliances" of the governments, we counterpose the brotherhood of the free spirits of the world!


January 30, 1917.

"demain," Geneva, June, 1917.