The Rose in the Ring/Part 2/Chapter 2
CHAPTER II
THE STRANGER AT THE HALL
The letter that called David to Jenison Hall came, by curious coincidence, at a most opportune time. He had decided to leave the Springs within a day or two, cutting short his proposed stay of a month almost at its beginning. The advent of Roberta Grand, heretofore an unknown quantity, brought with it new and unpleasant complications. Her revelations disturbed him, her attitude angered and disgusted him. It was from this girl, so amazingly like her father, that he would have fled in any event. His nature revolted against the possibility of constant association with her, he scarcely could have maintained even a perfunctory show of consideration for her. And then something told him that her confidences would grow, that she would go farther in the effort to justify her father. He realized that he could not stand by and hear the things she doubtless would feel called upon to say in respect to Mary Braddock. His sleepless night had drawn many ugly pictures for him to efface before he could be at peace with himself.
All through that dismal night he had given his thoughts to these people, and to three cities,—London, Paris and New York.
In the last of these, Mary Braddock was living. Staring up at the dim, flickering shadows on the ceiling, he traveled in horrid conjecture from one to the other of these immense wildernesses. Ahead of him stalked the ugly figure of Robert Grand, who knew—who perhaps had known all the time; at his side was the knowledge that the five years had come to an end. Was Mary Braddock, after all, in a position to redeem her promise?
The candle sputtered and went out. But he was no more in the dark than he had been all along. If there was to be light, he must make it for himself. He would not wait for her to speak out of the darkness. He would search her out, come what may; he would claim Christine.
With his mind full of the decision to go to New York as soon as possible, where it would be an easy matter to find Colonel Grand, at least, he hurried down to an early breakfast, successfully evading his body-servant. There were two letters in his box, products of the night mail.
One of them caused him to start and almost cry out aloud. It was from Artful Dick Cronk. The envelope bore the Jenison crest and it had come from Jenison Hall. A year had passed since he had heard from the pickpocket.
The missive was brief, as were all of Dick's communications, written or oral. It said: "Just stopped off on my way north. Niggers say you are at the Springs. I'll wait here till you come back, if it ain't too long. Hope this reaches you prompt, because I am in a hurry to get up to New York. Don't write. You can get here just as quick as a letter. Maybe quicker."
Except for the schoolboyish signature, that was all; but there was a world of importance between the laconic lines. David caught the early morning stage and was on his way over the ridge to the railroad with old Jeff, before eight o'clock.
He reached home that night, surprising the housekeeper and servants. To his amazement, they knew absolutely nothing of Dick Cronk. He had not been there, nor any one answering to the description. David was thunderstruck. He carefully examined the letter, which he had retained. There could be no mistake as to the stationery or the postmark. He went to his room, gravely mystified by the circumstance. A messenger was sent post haste to the village hard by, with instructions to find Dick if he were at either of the boarding-houses. The master of Jenison Hall could not help chuckling to himself in contemplation of the crafty tricks the writer of the letter had employed in securing his information and in appropriating stationery.
It was nearly eleven o'clock when the darky boy returned with the word that no one fitting the description had been seen in the village.
"But he must be there," said the young master, vastly perplexed and not a little annoyed.
"Yas, sah," agreed the darky, not for a moment questioning the assertion that fell from his master's lips. If "Marse David" said he was there, he was there; that is all there could be to it. "He suttinly mus' be thah, sah. But I 'spec's he mussa fo'got to tell anybody 'bout hit, sah."
"Ask Jeff to call me early in the morning, Pete," said David. "Good night."
"Good night, Marse David."
The boy went out, gently closing the door behind him. Almost instantly it was reopened.
"What now, Pete?" demanded David, who, with his back to the door, was advancing to the mahogany bureau across the room. He came in line with the tall mirror that surmounted the chest of drawers. His fingers stopped suddenly in the light task of removing a pin from his scarf.
Just inside the door stood Artful Dick Cronk, a genial smile reflecting itself in the mirror which confronted the other. David stared unbelievingly for a few seconds and then whirled to face the—but it was not an apparition.
The lean, cunning visage of the pickpocket was illumined by the never-to-be-forgotten smile of guilelessness that so ably stood him in hand in moments of peril. The humor of it gradually succumbed to the satirical leer that always came to translate his strange sophistry into something more expressive than mere words. He was plainly enjoying the effect of his magic invasion. To make the puzzle all the more startling, Mr. Cronk was attired in one of David's loose dressing-gowns. He wore a pair of comfortable slippers and he smoked David's picturesque Algerian pipe. A picture of domestic contentment was he. You might have taken him to be the owner of the house, and not the sly intruder.
"What are you doing in my room?" Dick demanded, assuming an air of severity.
David's astonishment gave way to a hearty laugh. He advanced with his hand extended.
"Well, you do beat the world," he exclaimed. "In the name of heaven, where did you come from?"
They shook hands. Dick's sprightly face presented a myriad of joyous wrinkles.
"Where did I come from, kid—I should say, Mr. Jenison? I—"
"Call me David," interrupted the other.
"Sure! Come from? Take a seat, kid. You are my guest for the evening. Make yourself at home. I've got a couple of toddies planted here behind the dresser. You see, I was expectin' you." He went over and, reaching down behind the bureau, came up with two toddy glasses in which the ice clinked cheerily. "I made 'em just before you came in," he explained. David passed his hand across his brow. Then he accepted one of the glasses from the pseudo host.
"Do you mean to tell me that you were in this room all the time I sat over there waiting—"
Dick put his finger to his lips. "Sh! Not so loud, please. I'm not really supposed to be here, you know. Just think what heart disease would do to the wooly old boy that runs the front door if he heard you talking to me at this time o' night. I'm glad to see you, David. You got my letter, I see. Well, well, it's wonderful what a two-cent stamp'll do sometimes. A postage stamp is the greatest detective I know of. I've had 'em find me time and again, right off the real, when twenty plain-clothes men couldn't get a smell of me to save their souls. Sit down, David. Make yourself at home. It's good to see you here, old chap. I'm sorry you must be leaving so soon."
"Leaving so soon?"
"Yep. You're going away to-morrow." He was sitting now, with his long legs crossed, leaning lazily back in the lounging chair at the end of David's desk.
"Don't talk in riddles, Dick. What's up? And how do you happen to be here, occupying my house without the knowledge of my servants?"
"A simple question, with a simple answer. I've been here two days and two nights, right here in the house. My bedchamber is down the hall there, and this has been my lounging room. Of course, I had my meals in the dining-room—my after-the-theater suppers, you might say. It's been good fun, foolin' the servants. I hope you don't mind my fakin' grub from your larder, kid. I used to sit around, unbeknownst to the niggers, and listen to them talk about spirits and ghosts and all that sort of thing. It was most amusin'. They couldn't account for the disappearance of pies and cakes and Sally Lunn—say, how I do love Sally Lunn. And jam, too. To say nothin' of fried chicken. Say! I've been living like a prince, kid. Sleepin' in a real bed and hangin' around in swell togs like these. Say! You do know how to live, David. You'd have been very much entertained half an hour ago if you could have seen me swipe a Washington pie and a quart of milk right out from under the nose of old Aunt Fanny. Milk is my favorite beverage, David. You notice I'm not drinkin' this fire-water. I made two of 'em for company's sake, but I still turn my back on the wine when it's pink. Not for me—not for little Dicky-bird."
"I don't see how you do it, Dick," cried David delightedly.
"That's part of my game, kid—not letting people see how I do anything. But it's as simple as rollin' off a log, as the jays say. I must confess—and that is something I make it a rule never to do—that this high living is not good for me. I'll get into awful habits, if I keep it up. I won't be satisfied with pretzels and bologny sausages. Seems to me I feel a touch of the gout coming on now."
"You will have breakfast with me in the dining-room to-morrow morning, Dick," announced the master of the house. "It won't be necessary to swipe it, as you call it."
Dick grinned. "My dear chap," he mimicked, "I have my breakfast stowed away in the garret at this minute. Never put off till to-morrow what you ought to do to-day. In time of plenty prepare for famine. Still, if you insist, I'll join you at some ham and eggs—and coffee. I do miss my coffee, old chap. We take a train for Richmond at nine A.M."
David's patience gave out. "What does it all mean, Dick? I must know at once. It must be important or you wouldn't—"
"Maybe it's important and maybe it ain't," philosophized Dick, relighting the long pipe.
"Well, let's have it."
"Tom Braddock's out."
"Out? I don't understand."
Dick's surprise was genuine. "You don't mean to say you never heard what happened to him?"
"Joey wrote me that he had gone completely to the dogs in Chicago."
"Joey's off his nut. Brad's just out of Sing Sing."
"Sing Sing! The penitentiary?"
"The sure-enough cooler. He's been there for nearly three years."
"Christine's father a convict!" groaned David.
"As I said before, he's out. It may interest you to know that I spent a year's vacation up there in '78. I needed the rest, old chap. Brad came in shortly after I got settled. He had been in Chicago for two years, boning his friends and living like a gutter-snipe. We spent most of our evenings at Sing Sing on the same piazza. During the day we sauntered back and forth between our apartments and the academy for physical research. Just to amuse ourselves we learned to make barrel staves between times. It was two months before we managed to speak to one another. After that we corresponded quite reg'lar. I had notes from him, and he from me. I soon got on to Brad's troubles. Seems that Bob Grand owed him several thousand dollars. He had owed it for more 'n two years. Some deal in connection with the show. You remember Brad was froze out soon after his wife left the aggregation in '75. He says Grand bulldozed him into duckin' the—I mean, leavin' the show, all the time owin' him the long green. Seems that Brad hadn't delivered all the goods mentioned in the bill of sale. Bob wouldn't settle until he got the goods.
"Well, Brad hung around Chicago, fightin' firewater and always gettin' licked at it, for two years or more. Then he up and sashayed to New York for a show-down with our old friend Robert. He had blood in his eye, Brad had. He'd been buncoed bad, and a bad man hates that worse than the thought of hell. When he got to New York he hunted up Mr. Bob Grand, who was just leavin' for England. It seems that Brad's wife and girl had been located over there by the Colonel, who had never stopped lookin' for them. Which is more than you could say for Brad. Mrs. Braddock, through her father and a firm of lawyers, had forced old Colonel Dough-face to fork over a big wad of greenbacks. Her share in the show, you understand. Brad heard of it in some way. So he concludes he'll get in his little graft. He goes to the Colonel's rooms in a hotel on Broadway, but misses him. Then he lays for him on the street. They have it hot and heavy, back and forth, and it all ends with the Colonel puttin' over a job on Brad that lands him in the cooler. Charge of highway robbery. Brad gets three years in the pen. I'll say this for him, though; I'm dead sure he wasn't guilty."
Dick paused to relight his pipe.
David was trembling with eagerness. "What did he have to say of Mrs. Braddock and Christine? I am interested only in them, Dick."
"He's up a tree regardin' them. They never peeped, so far as he's concerned. He never heard from them after they dusted that time. Of course, he thinks it was a put-up job, that gag of the Colonel's, payin' her all that money. He argues that it was all understood between 'em, and that it wasn't a squeeze on her part. The Colonel denied it, mighty strong, sayin' he had never heard from Mrs. Braddock until her lawyers and old man Portman came down on him, just after his own wife had got a divorce from him."
"I have heard," ventured David, "that Mrs. Grand based her complaint on the fact that her husband was mixed up in some way with an actress."
"She had to have something, Davy," said the other. "They faked up an imitation—that ain't the word—an imaginary actress for the occasion. Joey Noakes told me all about that. She first tried to get some of the old crowd to swear that Mrs. Braddock was the one, but she got a terrible throw-down there. They was all for Mary Braddock, strong. Then what do you think her lawyers up and does? They actually went to Joey and offered him ten thousand if he'd let 'em use Ruby's name."
A spasm of rage transfigured the face of the imperturbable rascal. His hands were clenched and the veins stood out in his temples.
"What a cowardly, outrageous thing to do!" cried David.
Dick did not speak for several minutes, but sat staring at his hands, his thoughts five hundred miles away. At last his lips spread into a dry, crippled smile.
"Joey told 'em to go to hell. And he rather helped the guy along the route by kickin' him half-way down stairs. If he hadn't caught himself against the railing half-way down, he'd 'a' been in the bad place these last four years. I wish to state at this point, Davy, that for the past four years I've made it my business to make that guy wish he was there a hundred times over. It's mighty hard to do a lawyer, but I've got that feller so's he sits up nights, looking like a ghost, waitin' to see what's going to happen to him if he should accidentally fall asleep. But, 'nough of that. After I got out of the pen I dropped in to see Joey. He was just organizin' that road pantomime show of his. He told me all about Mrs. Grand's proposal, and I was for cutting the dame's throat, only he wouldn't hear to it. You been in Joey's home in Tenth Street, haven't you? I mean the old one, just a little ways off Broadway. Well, you remember them stairs? Can you imagine bein' kicked down them stairs? Gee whiz! How I'd like to ha' been there! Well, you know all about Joey's pantomime fizzle. It almost busted the old boy's heart. He went stony broke the first year. Him and Ruby had to go over to live in an awful place on the east side, just off the Bowery. It happened to be right near the joint where Ernie and me hang out in the winter time. Our palatial residence then was back of a cobbler's shop, two flights off the sidewalk. I can't say that it's as sunny and as nicely aired as your joint here, kid, but it's harder to get inside of. And it would be impossible to get out if you once got in, unless you had a recommend from one of the gang. Seven of us hangs out there now. Maybe I'll show you the joint some time, if you can keep your jaw shut about it.
"But I'm gettin' off the trail. After Joey's bust up, Centennial year, who comes along and offers him a stake but old Colonel Grand. Offers to lend him money enough to start all over again. That's where Joey made his mistake. The old jay took the money and started all over again with—"
David started to his feet. "Impossible!" he exclaimed. "Why, I—I myself, Dick, lent him the money three years ago to get on his feet again."
"Sure you did. I haven't come to that yet. I said he took a couple of thousand from the Colonel. That was before you come into it, and he was so ashamed of it he never told you. Well, out they go on the road again, with him as the clown, Ruby as the columbine, Casey as harlequin and a guy named Smith as pantaloon. They had a show something like Humpty Dumpty. But you know all about that."
"Perfectly," said David, smiling reflectively. "I was with the show for a week on the road in '78. I must say I liked the rough old tent days better than the life they led in those abominable country town opera houses."
"Umph!" was the other's comment. "That's originally the way the Colonel's wife took it into her head to drag Ruby in if she could. Well, what does the Colonel do, after the show gets to going well, but drop in occasionally just as he did to Van Slye's circus, and proceed before long to make love to Ruby. Yes, sir! That's what he did, the hell-rotter that he is. Soon as Joey finds out his game, he up and takes a fall out of him. Then the Colonel threatens to put him out of business. Right then and there is where Joey writes to you for help. You fork over proper-like, as you should, and he pays back what he owes Grand, preferring to owe you. So he got rid of the devil for more than forty days. That's about the time I goes to the pen. I carelessly lets myself get nabbed, actin' on Ernie's advice. He's a slick kid, that boy is. He ain't goin' to let me get hung if he can help it. You see, I'm booked for hangin', sure as fate; he knows it as well as I do, only he's smart enough to want to put it off till I'm so old I won't mind it. So I goes to the pen just to keep from killin' Bob Grand. A year in the cooler makes you see things most sensible-like. I knowed that when I went in. If I'd waited a week after hearin' Joey's story of that dog's attentions to Ruby, I'd ha' been in Kingdom Come long ago, and so would he. We'd both been down below to welcome Mrs. Grand's lawyer when he arrived. So, actin' on Ernie's advice, I gets pinched the second night after hearin' about it. Ernie's a humane cuss. He saved two lives, then and there."
"You deliberately put yourself in prison?" cried David.
"Just to postpone the hangin', kid, that's all."
"It's all rubbish, this talk of hanging," protested the other. "You're too kind-hearted, Dick, to kill a fly."
"There'll be a rope around my guzzle some time, Davy, just as sure as you're sittin' there," said Artful Dick, and, notwithstanding his careless laugh, a perceptible gleam of terror showed in his eyes for an instant. "But I'm wandering again. When I was up to Sing Sing I tumbled to what was on Brad's mind. He thinks she trun him down for Grand. The more he thought of it, the more full of the devil he got. Just before I left the place he wrote me a long letter and slipped it to me in a hunk of bread. He said he'd made up his mind to kill her and Grand as soon as he got out. You can tell by a convict's looks whether he's bluffin' or not. I tell you, Davy, I sees it in Brad's face. He meant what he said. He's going to do it, as sure as fate. He ain't got anything to live for and he ain't going to let the two of 'em live any longer than he does."
"And you say he's out? Dick, we must do something to prevent this awful—"
"Sit down, Davy. You can't get a train till tomorrow. Besides, there's time enough. The first thing I does after I leaves the coop was to hustle down to see Joey. I put him on to Brad's bad talk, and he promised to keep a sharp lookout for him. At that time Mrs. Braddock was livin' in London, but Joey didn't know it. I found out later on through Ernie. He got her whereabouts by pumpin' a coachman who worked for her father, old man Portman. It seems that while she wouldn't take money from the old man, she appealed to him to help her in gettin' what was due her from the sale of the show. She went to Europe a couple of months after she left the show, a school friend puttin' up for her, I understand. Her dad was willin' to forgive her, after she'd tied the can to Brad, but she says nix. She changed her name and took charge of this school friend's children who were being educated in London, givin' their mother a chance to chase around Europe without bein' bothered by kids. When she got the dough out of old Bob Grand she puts Christine in a school some 'eres and—"
"Thank God, and you, Dick, for this news," cried David fervently. "I knew that she could do nothing but the right thing. Go on!"
"Well, about six months ago, her stepmother up and dies. The old man promptly sends for her to come back and cheer his declinin' years, as the novel writers say. Ernie writes all this to me and I gets the letter a couple of months ago down in New Orleans, where I was attendin' Mardi Gras, a sort of annual custom of mine, don't you know, old chap, by Jove! I'm terrible careless about my correspondence, which accounts for my neglectin' to write this to you. However, I'm not so careless that I neglected to write this to Ruby—a thing I do reg'lar every month, some months. Four days ago, in Looieville, I gets two letters, one from her and one from Ernie. Ernie knows everything. He's seen Christine nearly every day for three months, but she ain't seen him. Poor devil of an Ernie! I made him what he is—I banged him up for life."
"It was an accident, Dick. Don't take it—"
"Nix. It ain't no accident when you kick a four-year-old kid down a flight of stairs. Well, anyhow, they both write me that Tom Braddock is in New York and actin' terrible ugly. He's layin' for Bob Grand. As luck would have it, the Colonel is off attendin' the races along the spring circuit, and Ernie says he won't be back in New York for three or four days. Mrs. Braddock has got her father down South some-'eres, but the servants are expectin' 'em back this week."
"Then we may be in time. We must not lose a minute, Dick. If Tom Braddock carries out his threat, we'll be to blame—you and I. Christine,—where is she? What is she like? What do they say of her?"
"Ruby's been on the road, so she don't mention having seen her. And, say, Davy, don't be sore at me for what I'm going to say now. It's this way: Ernie made me promise never to tell you anything about her—how she looks—how she acts, where she is, or anything. I've only told you where her mother is, mind you. You'll have to guess about Christie. You see, Davy, that boy's sure jealous of you yet. I—I—guess you understand."
David nodded his head without speaking. He understood. There was nothing for him to say.
"I'll find her myself," he said, beginning to pace the floor in his excitement. "She must be beautiful. She must be all that her mother promised. But, Dick!" He stopped short, struck by a sudden thought. "Why hasn't Mrs. Braddock written to me? She promised. The five years have passed. We were to see each other at the end of five—"
"Well, maybe you will, kid. Don't get peevish. I guess Mrs. Braddock knows her business. Has it ever occurred to you that there might be another Romeo lookin' at Christie? Five years is quite a spell. Girls are fickle brutes."
"For God's sake, Dick, if you do know of anything like that, tell me."
"Cross my heart, Davy, I don't know, and that's straight."
"We must catch the first train in the morning."
"Don't hop around like that, Davy; you'll upset something. You can't hurry a train, kid. We'll catch it, all right. Sit down. Get a pipe and take a smoke. Keep cool. That's our game, kid. If you go bumpin' into old man Portman's house without bein' sure you're wanted, you might get—well, I won't say what!"
"You're right, Dick. She may have forgotten me. She may have asked her mother not to write to me. I've waited and hoped and counted on having her—I've checked off the weeks and months and years. I wonder if you can understand how it is when you care as much as I do, and always have? No one knows. It's all in a fellow's own heart. It—"
"Oh, I've had a case or two myself, kid. It ain't nothin' new, this crimp you've got," said Dick, putting his heels on the desk. "Adam had it. So did Solomon, only he had it in so many places he got so he didn't mind it. Think of them guys that have harems. Think of Brigham Young. Why, kid, you don't know the first thing about love pains. Think of the guy with the harem and his guesswork! He's got something to worry about, he has. It's awful when you've got to love a couple of hundred of 'em at once, and them all hatin' you like poison. And old Brigham—think of him settin' up all hours of the night, wonderin' whether she loves him as much as she used to, and not being able to remember just which she he's thinkin' about. Brace up, kid. It's only a rash you've got. If Christie has given you the shake just remember how easy it was for Brigham to collect 'em. The woods are full of 'em."
"But, good Lord, Dick," cried David, laughing in spite of himself, "I'm not a Mormon."
"Kid, every man's a Mormon at heart. Just cram that in your pipe. And every woman, no matter how ugly she is, thinks she's a siren. It's in the blood of both sexes, this Mormonism and sirenism. Oh, don't look so surprised, kid. I got some of my views out of the dictionary, but most of 'em came from observin' people as they look to me from my own level. I have a way of bringin' everybody down to my own level, kid, and I find, except for that commandment about stealin', we all have about the same amount of cussedness in us some'eres. It's human nature to be bad, or to want to be bad. We'd all be a little bit bad, from time to time, if we wasn't afraid of being found out. Course, it comes in different size doses. Some girls think it's terrible bad just to wink at a feller, but they do it because it's bad and not because it's sanctimonious, you bet. Then there are other girls who'd cut your throat with a razor while you're asleep. You bet they wouldn't be doing that if it was considered good. All men have got deviltry in 'em, and all women mischief. The women like the men for the deviltry, and it's the mischief in women that plays the devil with the men. It don't appear on the surface, but it's there just the same."
"What amazing philosophy," laughed David.
"I've been gettin' philosophy up in your attic, Davy," said Dick with a quaint grin. "I read some'eres that all philosophers get in their real work in attics. Now, I guess we'd better turn in. I don't think you'll do much sleepin' to-night, so you'd—"
"First, Dick," interrupted David, rising to pull the old-fashioned bell cord in the corner of the big chamber, "we'll have a bite of supper. I want to introduce you to my servants."
"Hold on!" Dick came to his feet quickly. "It's my treat. You wait here. I've got a fine supper goin' to waste up in the garret. I copped it out early this evening. Poke up the fire there, Davy, and don't try to foller me."
He was gone, the door to the hall closing gently behind him. There was not a sound to be heard in the house. Outside the frogs were chattering, and a nearby owl hooted dolefully. David stood still in the center of the room, his gaze fixed on the hall door. He counted the minutes, expecting, in spite of his preparedness, to be startled when the door opened with ghostly ease to admit the lank figure of the "dip." There was a certain sense of dread in the knowledge that somewhere off in the dark, silent halls a stealthy, noiseless, almost sinister thing was moving—moving with the swiftness and caution of a weasel, but with all the merry purpose of a harlequin. David experienced a grewsome, uncanny desire to shiver. He remembered Dick's admonition and was about to turn to the fireplace, in which the logs were no longer blazing.
Suddenly the door opened. He could have sworn that the knob had not turned. There had not been the faintest sound, and yet Dick Cronk stepped quickly, confidently into the room, a grin on his face. In one hand he bore a fair-sized package, done up in a napkin.
"You are the ghostliest thing I've ever known," said David with a nervous laugh of relief. "How do you do it?"
"Simple twist of the wrist," said Dick, employing a phrase of the day. "Gee, how tired you must be, after pokin' up the fire like that!"
David hastened to do his part of the pantomime. When he turned from the replenished fireplace a cold supper was spread on the desk, the napkin serving as a tablecloth. There were knives, forks and spoons, and a china plate apiece. A pitcher of milk stood at one end, a bottle of claret at the other, with tumblers beside them. In the center of the board was a plate of fried chicken, some young onions, freshly baked bread, salt, pepper, and, most wonderful of all,—Aunt Fanny's newest marble-cake, huge and aggressive.
The master of the house stared open-mouthed at this amazing feast. Where had it all come from? How had it been transported?
"Well, I'll be hanged!" he gasped.
Dick shuddered. "Don't say that! It gives me the Willies. Sit down, friend, and make yourself at home. Ah! This is real comfort! Don't you think I'd make some woman a fine husband? I'm no slouch as a provider, am I?"
It was after two o'clock when Artful Dick Cronk whispered good night and slipped out into the hall. He carried with him all the plates, cutlery and remnants of the midnight feast, having remarked in advance that a careful operator never left anything "half finished." It was his purpose to restore every article except the food, to the place from which he had taken it. He and David chuckled joyously over the fresh amazement of Aunt Fanny in the morning; she had been living in a state of dread for three appalling days, as it was.
The next morning Dick appeared at breakfast with his host. He rescued Zuley Ann's greatly prized silver watch from the steaming coffee urn, and picked Jeff's pocket-book from the mouth of a lamp chimney, afterwards restoring the thirty-eight cents it contained. Strangely enough, he took the coins from the wool on Jeff's head. If ever a negro's wool undertook to stand on end it was at that moment. Zuley Ann's eyes were permanently enlarged. I have it on excellent authority.
At eight o'clock they were off for Richmond and the New York express.