Translation:Graphical representation of the four-dimensional space-time universe

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Graphical representation of the four-dimensional space-time universe  (1922) 
by Paul Gruner, translated from French by Wikisource
In French: Représentation graphique de l’univers espace-temps à quatre dimensions, Archives des sciences physiques et naturelles (5) 4: 234–236, Scans

Gruner, P. (Berne). – A) Graphical representation of the space-time universe in four dimensions.

The author develops the ideas he had presented last year at the Physical Society (Arch. Sc. Phys. Nat. (5) 3, 295, 1921). The motion of a point can be given by the following four equations:

et .

which represent the projections of a four-dimensional curve on four coordinate planes in the space-time universe. By folding these projections in the same plane, it becomes easy to represent the phenomena of the universe in four dimensions by simple methods of descriptive geometry.

Thus the uniform rectilinear motion of a point will be represented in terms of by a straight line in the plane of (called "subspace"), corresponding to the straight line (the world line of the motion). To develop the phenomena of the theory of relativity, it is useful to measure time by the path traveled by light , being the speed of light equal to unity. Also it is best to choose a non-orthogonal system of coordinates as "subspace"; with this choice it is possible to relate the two systems and that move parallel to axis with a relative velocity , to two "subspaces" whose axes and are mutually orthogonal and for which the angle determines the relative velocity .

Now we project the world line constructed for subspace into subspace and from there into space , we obtain the point's motion as it appears in the system . The figures provide immediately the Lorentz-Einstein transformation formulas, the speed of the point, the addition theorem, aberration, etc..

The same construction can be applied to the wave propagation phenomena, either planar or spherical. In those somewhat complicated constructions, one shall never confuse phenomena that are synchronous in a coordinate system with those synchronous in the other system: in these subspaces, synchronous phenomena should always be on a world-line parallel to the axis, respectively . Taking into account these remarks it is easy to directly construct wavelengths and frequencies of undulatory motion in both systems; one exactly obtains the expressions given by Einstein, whose deductions thereby receive a new geometric confirmation.

b) Graphical representation of universal time in the theory of relativity.

In the constructions given in the preceding article, the bisectors of angle play a special role. They form an orthogonal coordinate system for length and time which is symmetrical with respect to two systems and of the subspace. It is therefore very natural to relate the subspace phenomena to this unique and orthogonal system, and introduce for both systems a common coordinate of time, the "universal time" , as well as for length, the "universal length" . A simple geometric consideration provides a glimpse that the coordinates can be projected in a proper manner on the axis of , and respectively, by changing the value of units.

One then finds between , and the old formula of relativity of Galileo-Newton: . It is the merit of Ed. Guillaume to have found and developed these results already several years ago.

But from this construction it follows in a striking manner what was already noted by Mirimanoff (Arch. Soc. Phys. nat. (5) 3, 46, 1921). The indications and of the clocks of each system may naturally be adjusted so that they provide the universal time ; but this correction depends on , that is to say on the relative velocity of the two compared systems. Thus the corrections given to the clock regulated to local time, depend on the system with which it is intended to be compared; the concept of universal time then becomes illusory.

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This work is in the public domain in the United States because it was published before January 1, 1926.

The author died in 1957, so this work is also in the public domain in countries and areas where the copyright term is the author's life plus 60 years or less. This work may also be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.


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