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Considerations on the state of Ireland (1864)
 by John Kells Ingram
Rough-Hewn (1922)
 by Dorothy Canfield
Enter the imperceptible: Reading Die Antwoord (2015)
 by Sonja Smit
Christian Science versus Pantheism (1909)
 by Mary Baker G. Eddy
Cursory Observations on the Poems Attributed to Thomas Rowley (1782)
 by Edmond Malone
Dream Tales and Prose Poems (1897)
 by Ivan Turgenev, translated by Constance Garnett
Points of View (1892)
 by Agnes Repplier

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The Clandestine Marriage is an English comedy co-authored by playwright George Colman and actor David Garrick, and first performed at the Theatre Royal, Drury Lane, in 1766. It is both a comedy of manners and a comedy of errors.

The plot was inspired by a series of pictures by William Hogarth entitled Marriage à-la-mode that satirized the treatment of British marriages as business negotiations, in which wealthy British merchants married off their daughters to impoverished peers, exchanging their money for improved social status.

Hogarth Marriage No2 Detail.jpg

POETS and Painters, who from Nature draw
Their beſt and richeſt Stores, have made this Law:
That each ſhould neighbourly aſſiſt his Brother,
And ſteal with Decency from one another.
To-night, your matchleſs Hogarth gives the Thought,
Which from his Canvas to the Stage is brought.
And who ſo fit to warm the Poet's Mind,
As he who pictur'd Morals and Mankind?
But not the ſame their Characters and Scenes;
Both labour for one End, by different Means:
Each, as it ſuits him, takes a ſeparate Road,
Their one great Object, Marriage-a-la-mode!
Where Titles deign with Cits to have and hold,
And change rich Blood for more ſubſtantial Gold!
And honour'd Trade from Intereſt turns aſide,
To hazard Happineſs for titled Pride.

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