Vincent van Gogh suicide note
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My dear brother,
Thanks for your kind letter and for the 50-fr. note in contained.
There are many things I should like to write you about, but I feel it useless. I hope you have found those worthy gentlemen favorably disposed toward you.
Your reassuring me as to the peacefulness of your household was hardly worth the trouble, I think, having seen the weal and woe of it for myself. And I quite agree with you that rearing a boy on a fourth floor is a hell of a job for you as well as for Jo.
Since the thing that matters most is going well, why should I say more about things of less importance? My word, before we have a chance to talk business more collectedly, we shall probably have a long way to go.
The other painters, whatever they think, instinctively keep themselves at a distance from discussions about the actual trade.
Well, the truth is, we can only make our pictures speak. But yet, my dear brother, there is this that I have always told you, and I repeat it once more with all the earnestness that can be expressed by the effort of a mind diligently fixed on trying to do as well as possible - I tell you again that I shall always consider you to be something more than a simple dealer in Corots, that through my mediation you have your part in the actual production of some canvases, which will retain their calm even in the catastrophe.
For this is what we have got to, and this is all or at least the main thing I can have to tell you at a moment of comparative crisis. At a moment when things are very strained between dealers in pictures of dead artists, and living artists.
Well, my own work, I am risking my life for it and my reason has half foundered because of it--that's all right--but you are not among the dealers in men as far as I know, and you can still choose your side, I think, acting with humanity, but que veux-tu?
This work is a translation and has a separate copyright status to the applicable copyright protections of the original content.
| Original: |
This work is from the United States and in the public domain because it was not legally published with the permission of the copyright holder before January 1, 2003 and the author died more than 70 years ago. This is a posthumous work and its copyright in certain countries and areas may depend on years since posthumous publication, rather than years since the author's death. Translations or editions published later may be copyrighted. This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
Public domainPublic domainfalsefalse |
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| Translation: |
This work is in the public domain in the United States because it was legally published within the United States (or the United Nations Headquarters in New York subject to Section 7 of the United States Headquarters Agreement) before 1964, and copyright was not renewed.
Works published in 1958 could have had their copyright renewed in 1985 or 1986, i.e. between January 1st of the 27th year after publication or registration and December 31st of the 28th year. As this work's copyright was not renewed, it entered the public domain on January 1st, 1987. This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
It is imperative that contributors ascertain that there is no evidence of a copyright renewal before using this license. Failure to do so will result in the deletion of the work as a copyright violation.
Public domainPublic domainfalsefalse |
