What's O'Clock/In Excelsis

by Amy Lowell

IN EXCELSIS

You—you—
Your shadow is sunlight on a plate of silver;
Your footsteps, the seeding-place of lilies;
Your hands moving, a chime of bells across a windless air.

The movement of your hands is the long, golden running of light from a rising sun;
It is the hopping of birds upon a garden-path.

As the perfume of jonquils, you come forth in the morning.
Young horses are not more sudden than your thoughts,
Your words are bees about a pear-tree,
Your fancies are the gold-and-black striped wasps buzzing among red apples.
I drink your lips,
I eat the whiteness of your hands and feet.
My mouth is open,
As a new jar I am empty and open.
Like white, water are you who fill the cup of my mouth,
Like a brook of water thronged with lilies.

You are frozen as the clouds,
You are far and sweet as the high clouds.
I dare reach to you,
I dare touch the rim of your brightness.
I leap beyond the winds,
I cry and shout,
For my throat is keen as a sword
Sharpened on a hone of ivory.
My throat sings the joy of my eyes,
The rushing gladness of my love.

How has the rainbow fallen upon my heart?
How have I snared the seas to lie in my fingers
And caught the sky to be a cover for my head?
How have you come to dwell with me,
Compassing me with the four circles of your mystic lightness,
So that I say "Glory! Glory!" and bow before you
As to a shrine?

Do I tease myself that morning is morning and a day after?
Do [think the air a condescension,
The earth a politeness,
Heaven a boon deserving thanks?
So you—air—earth—heaven—
I do not thank you,
I take you,
I live.
And those things which I say in consequence
Are rubies mortised in a gate of stone.