When Brother Peetree Prayed : A Recollection

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When Brother Peetree Prayed : A Recollection (1895)
by Edward Dyson
2073599When Brother Peetree Prayed : A Recollection1895Edward Dyson

'Twas a sleepy little chapel by a wattled hill erected,
   Where the storms were always muffled, and an atmosphere of peace
Hung about beneath the gum-trees, and the garden was respected
   By the goats from Billybunga and the washer-woman's geese.
In the week-days it was sacred to my young imagination;
   From its walls there oozed a sentiment of reverence profound;
And on Sabbath morns the murmuring of the childish congregation
   Seemed to spread a benediction in the bush land far around.

But when Brother Peetree prayed all the parrots flew dismayed,
And the hill shook to its centre, and the trees and fences swayed;
And we youngsters heard the rumble of the Day of Judgment there,
When the pious superintendent wrestled manfully in prayer.

They were horny-handed Methodists, and men of scanty knowledge,
   Who controlled that ‘little corner of the vineyard’ by the pound;
Their theology was not the kind that's warranted at college,
   But their faith was most abundant, and their gospel always sound.
Brother Peetree was a miner at the Band of Hope. His leisure
   He employed in ‘sticking porkers’ for his neighbours, and his skill
Was a theme of admiration; but his soul's sublimest pleasure
   Was to speak a prayer on Sunday in the chapel 'neath the hill.

Froze the marrow in our bones at the sound of hollow groans,
And the shrieks of moral anguish, and the awful thunder tones;
And we saw the Hell-fire burning, and we smelt it in the air,
When dear Brother Peetree struggled with the Lord of Hosts in prayer.

Brother Peetree always started with a murmured supplication,
   Knelt beside a form, serenely, with a meek, submissive face;
But he rose by certain stages to a rolling exhortation,
   And a wild, ecstatic bellowing for sanctity and grace;
And he threw his arms to heaven, and the seats went down before him
   As he fought his way along the aisle, and prayed with might and main,
With hysterical beseechings. Then a sudden peace fell o'er him,
   And he finished, sobbing softly, at his starting-point again.

And the elders, to their ears pale with reverential fears,
And the sisters and the choir indulged in hot, repentant tears;
And the sinners for salvation did with eagerness declare,
When beloved Brother Peetree wrestled mightily in prayer.


This work is in the public domain in Australia because it was created in Australia and the term of copyright has expired. According to Australian Copyright Council - Duration of Copyright, the following works are public domain:

  • published non-government works whose author died before January 1, 1955,
  • anonymous or pseudonymous works and photographs published before January 1, 1955, and
  • government works published more than 50 years ago (before January 1, 1974).

This work is also in the public domain in the United States because it was first published outside the United States (and not published in the U.S. within 30 days), and it was first published before 1989 without complying with U.S. copyright formalities (renewal and/or copyright notice) and it was in the public domain in Australia on the URAA date (January 1, 1996). This is the combined effect of Australia having joined the Berne Convention in 1928, and of 17 USC 104A with its critical date of January 1, 1996.

Because the Australian copyright term in 1996 was 50 years, the critical date for copyright in the United States under the URAA is January 1, 1946.


This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.

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This work is in the public domain in the United States because it was published before January 1, 1929.


The longest-living author of this work died in 1931, so this work is in the public domain in countries and areas where the copyright term is the author's life plus 92 years or less. This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.

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