A Dictionary of Music and Musicians/Concertina

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CONCERTINA, a portable instrument of the Seraphine family, patented by the late Sir Charles Wheatstone June 19, 1829.

It is hexagonal, and has a key-board at each end, with expansible bellows between the two. The sound is produced by the pressure of air from the bellows on free metallic reeds. The compass of the treble concertina is four octaves, through which it has a complete chromatic scale.
{ \override Score.TimeSignature #'stencil = ##f g4 \ottava #1 g'''' }
This instrument is double action, and produces the same note both on drawing and pressing the bellows. Much variety of tone can be obtained by a skilful player, and it has the power of being played with great expression and complete sostenuto and staccato. Violin, flute, and oboe music can be performed on it without alteration; but music written specially for the concertina cannot be played on any other instrument, except the organ or harmonium. Nothing but the last-named instruments can produce at once the extended harmonies, the sostenuto and staccato combined, of which the concertina is capable. There are also tenor, bass, and double bass concertinas, varying in size and shape. These instruments are single-action, producing the sound by pressure only, and are capable of taking tenor, bass, and double bass parts without alteration. The compass of these is as follows—
{ \override Score.TimeSignature #'stencil = ##f \clef alto c4^\markup { \halign #0.25 \smaller \italic Tenor } \clef treble c''' \bar "||" }
{ \override Score.TimeSignature #'stencil = ##f \clef bass c,4^\markup { \halign #0.25 \smaller \italic Bass } \clef treble c''' \bar "||" }
{ \override Score.TimeSignature #'stencil = ##f \clef "bass_8" c,,4^\markup { \halign #0.25 \smaller \italic "Double bass" } \clef treble c'' \bar "||" }
making the total range of the four instruments 6⅜ octaves. The late Signor Regondi was the first to make the instrument known, and was followed by Mr. George Case. Mr. Richard Blagrove is now the principal performer and professor. Among the music written specially for the instrument are 2 Concertos in G and D tor solo concertina and orchestra, by Molique; 2 ditto ditto in D and E♭, by G. Regondi; Sonata for piano and concertina in B♭, by Molique; Quintet for concertina and strings, by G. A. Macfarren; Adagio for 8 concertinas in E, by E. Silas; Quintet in D for piano, concertina, violin, viola, and cello, by the same; 6 Trios for piano, concertina, and violin, by the same. Much brilliant salon music has also been written for it. Messrs. Wheatstone & Co. are the best makers.
[ G. ]