A Dictionary of Music and Musicians/Euphonium

From Wikisource
Jump to navigation Jump to search
1504277A Dictionary of Music and Musicians — EuphoniumWilliam H. Stone

EUPHONIUM. A name given to the bass instrument of the Saxhorn family, usually tuned in B♭ or C. It only differs from the barytone Saxhorn in the larger diameter of its bore, which thus produces a louder and somewhat deeper quality of tone. It is usually furnished with four valves, sometimes even with five, the first three worked by the fingers of the right hand, and severally depressing the pitch by a semitone, a tone, and a minor third; the fourth by the left hand applied to a different part of the instrument, and lowering the pitch by two tones and a semitone.

From the gradual disuse of the Serpent and Ophicleide, the Euphonium is becoming the chief representative of the eight-foot octave among the brass instruments; with the exception of the few notes attainable on the French horn in that register. In quality it is however less sympathetic than its forerunners, and less able to blend with the stringed instruments. It therefore serves chiefly as a solo instrument, in which capacity it affords considerable support to the brass or military band. It possesses the usual harmonic series of open notes. Its compass is to a considerable degree dependent on the lip of the individual player. The fundamental note is obviously C or B♭ according to the pitch of the instrument, and the gap between this and the next harmonic above is more or less bridged over according to the number of the valves. The valves also admit of being used, together or separately, as integral parts of the tube, thus lowering the fundamental tone obtained, even to the extent of an octave.

{ \override Score.TimeSignature #'stencil = ##f \clef bass bes,,4 c, c'' }
The upper limit may be generally described as three octaves above the fundamental before named, although accomplished players obtain sounds very much more acute. It is usually written for in the bass clef, and in orchestral usage the real notes are given. If the instrument be in C, which it commonly is, no change is necessary; if however it be a B♭ instrument, the whole scale has to be really and systematically raised through the interval of a tone. [See Transposing.] Some French writers, however, transpose the part exactly as is done for the clarinets and cornet. The Euphonium being a modern invention, is not written for by the older composers. It is however freely employed in more recent instrumentation.