A Dictionary of Music and Musicians/Morichelli, Anna
MORICHELLI, Anna BOSELLO, was born at Reggio in 1760. Being endowed by nature with a pure and flexible voice, she was instructed by Guadagui, one of the best sopranists of the day. She made her début at Parma in 1779 with great éclat. After singing at Venice and Milan, she appeared at Vienna in 1781–2, and with difficulty obtained leave from the Emperor to return and fulfil an engagement at Turin. She continued to sing at the chief theatres of Italy, until Viotti engaged her for the Théâtre de Monsieur, at Paris, in 1790, where she remained during the years 1791–2. Here she was very highly appreciated, even by such good judges as Garat, and with this reputation she came to London in 1792, with Banti. Lorenzo d'Aponte, the poet of the London Opera-House, gives a severe description of these two singers in his Memoirs: he calls them 'equals in vice, passions, and dishonesty,' though differing in the methods by which they sought to accomplish their designs. To musical amateurs, such as Lord Mount-Edgcumbe, the Morichelli seemed far below her rival; 'She was, they said, a much better musician. So she might be, but never could have been half so delightful a singer, and she was now past her prime; her voice was not true, her taste spoiled by a long residence at Paris,… and her manner and acting were affected. In short, she did not please generally, though there was a strong party for her; and after her second season she went away, leaving behind her, in every print-shop, her portrait, with the flattering but false inscription, "Parti, mà vide che adorata partiva."'
Mme. Morichelli returned to Italy in 1794, and soon after retired from the stage.