A Jay of Italy/Chapter 17
CHAPTER XVII
There was a quarter of Milan into which the new light penetrated with some odd uncalculated effects. It was called, picturesquely enough, 'The Vineyard,' and as such certainly produced a great quantity of full-blooded fruit. Vines that batten on carrion grow fat; and here was the mature product of a soil so enriched. There was no disputing its appetising quality. That derived from the procreant old days of paganism, before the germ of the first headache had flown out of Pandora's box into a bung-hole. 'The Vineyard's' body yet owed to tradition, if centuries of adulteration had demoralised its spirit. Still, altogether, it was faithfuller of the soil, self-consciously nearer to the old Nature, than was ever the extrinsic Guelph or Ghibelline that had usurped its kingdom. Wherefore, it seemed, it had elected to construe this new reactionism, this redintegratio amoris, this sudden much-acclaiming of Nature, into a special vindication of itself, its tastes, methods and appetites, as representing the fundamental truth of things; and, ex consequenti, to appropriate Messer Bembo for its own particular champion and apologist.
Alas, poor Parablist! There is always that awakening for an enlightened agitator in any democratic mission. Does he look for some comprehension by the Demos of the necessity of radical reform, his eyes will be painfully opened. The pruning, by its leave, shall never be among the suckers down by the root, but always among the lordly blossoms. Shall Spartacus once venture openly to stoop with his knife, he shall lose at a blow the popular suffrage. At a later date, Robespierre, who was not enlightened, had to subscribe to the misapplication of his own reforms, or be crushed by the demon he had raised. Here in Milan, 'The Vineyard' was the first to renounce its champion, when once it found itself to be intimately included in that champion's neo-Christianising scheme.
Alas, poor Parablist! Not Reason but Fanaticism is the convincing reformer! the bigot, not the saint, the effective drover of men.
In the meanwhile 'The Vineyard' swaggered and held itself a thought more brazenly than heretofore, on the strength of its visionary election. Always a clamorous rookery, one might have fancied at this time a certain increase in the boisterous obscenity of its note, as that might presage the fulfilment of some plan for its breaking out, and planting itself in new black colonies all over the city. But as certainly, if this were so, its illusionment was a very may-fly's dance.
Now as, on a noon of this late Autumn, we are brought to penetrate its intricacies, a certain symbolic fitness in its title may or may not occur to us. Supposing that it does, we will accept this Via Maladizione where we stand, this gorge of narrow high-flung tenements, looped between with festoons of glowing rags, for the supports and dead trailers of a gathered vintage. Below, the vats are full to brimming, and the merchants of life and death forgathered in the markets. Half-way down the street a little degraded church suddenly spouts a friar, who, punch-like, hammers out on the steps his rendering of the new nature, which is to remember its cash obligations to Christ, and so vanishes again in a clap of the door. A barber, shaving a customer in the open street, gapes and misses his stroke, thereby adding a trickle to the sum of the red harvest. Mendicants pause and grin; oaths rise and buzz on all sides, like dung-flies momentarily disturbed. And predominant throughout, the vintagers, the true natives of the soil, swarm and lounge and discuss, under a rent canopy, the chances of the season and its likely profits.
Ivory and nut-brown are they all, these vintagers, with cheeks like burning leaves, and hair blue-black as grape-clusters, and eloquent animal eyes, and, in the women, copious bosoms half-veiled in tatters, like gourds swelling under dead foliage. But the milk that plumps these gourds is still of the primeval quality. Tessa's passions are of the ancient dimensions, if her religion is of to-day. Her assault and surrender borrow nothing from convention. No billing and rhyming for her, with canzonarists and madrigalists under the lemon trees, in the days when the awnings are hung over to keep the young fruit from scorching; but rough pursuit, rather, and capture and fulfilment—all uncompromising. She is here to eat and drink and love, to enjoy and still propagate the fruits of her natural appetites. She does not, like Rosamonda, brush her teeth with crushed pearls; she whets and whitens them on a bone. She does not powder her hair with gold dust; the sun bronzes it for her to the scalp. No spikenard and ambergris make her rags, or perfumed water her body, fragrant for her master's mouthing. Yet is she desirable, and to know her is to taste something of the sweetness of the apple that wrought the first discord. She is still a child of Nature, though Messer Bembo's creed surpasses her best understanding. She loves burnt almonds and barley-sugar, and crunches them joyously whenever some public festival gives her the chance; but the instincts of order and self-control are long vanished from the category of her qualities, and she survives as she is more by virtue of her enforced than her voluntary abstinences. For the rest, civilisation—the civilisation that always encompasses without touching, without even understanding her—has made her morals a terror, and the morals of most of her comrades, male or female, of 'The Vineyard.'
It is, in fact, the sink of Milan, is this vineyard—a very low quarter indeed; and, it is to be feared, other red juice than grapes' swells the profits from its vats. Here are to be found, and engaged, a rich selection of the tagliacantoni, the hired bravos who kill on a sliding scale of absolution, with fancy terms for the murder which allows no time for an act of contrition. Here the soldier of fortune, who has gambled away, with his sword and body-armour, the chances of an engagement to cut throats honestly, festers for a midnight job, and countersigns with every vein he opens his own compact with the devil. Here the oligarchy of beggars has its headquarters, and composes its budgets of social taxation; and here, finally, in the particular den of one Narcisso, desperado and ladrone, hides and shivers Messer Tassino, once a Duchess's favourite.
He does not know why he is hidden here, or for what purpose Messer Ludovico beguiled and threatened him from the more sympathetic custody of his friend Jacopo, to deposit him in this foul burrow. But he feels himself in the grip of unknown forces, and he fears and shivers greatly. He is always shivering and snuffling is Messer Tassino; whining out, too, in rebellious moods, his pitiful resentments and hatreds. His little garish orbit is in its winter, and he cries vainly for the sun that had seemed once to claim him to her own warmth and greatness. He has heard of himself as renounced by her, condemned, and committed, on his detested rival's warrant, to judgment by default. Yet, though it be to save his mean skin, he cannot muster the moral courage to come forth and right the wrong he has done. That, he knows, would spell his last divorce from privilege; and he has not yet learned to despair. He had been so petted and caressed, and—and there are no lusty babies to be gathered from Messer Bembo's eyes. At least, he believes and hopes not; and, in the meanwhile, he will lie close, and await developments a little longer.
Perhaps, after all, there is knowledge if little choice in his decision. He may be justified, of his experience, in being sceptical of the disinterestedness of spiritual emotionalism, or at least of the feminine capacity for accepting its appeal disinterestedly. But of this he is quite sure—that sanctity itself shall not propitiate, by mere virtue of its incorruptibility, the woman it has scorned; and, in that certainty, and by reason of that experience, he nurses the hope of still profiting by the revulsion of feeling which he foresees will occur in a certain high lady as a consequence of her rebuff.
Still, however that may chance, he finds his present state intolerable. It is not so much its dull and filthy circumstance that appals him, though that is noxious enough to a boudoir exquisite; it is the shadow of Messer Ludovico's purpose, shapeless, indistinct, eternally conning him from the dark corners of his imagination, which takes the knees out of his soul. Is he really his friend and patron, as he professes to be? He recalls, with a sick shudder, how once, when in the full-flood of his arrogance, he had dared to keep that smooth and accommodating prince waiting in an ante-room while he had his hair dressed. He, Tassino, the fungus of a night, had ventured to do this! What a fool he had been; yet how worse than his own folly is the dissimulation which can ignore for present profit so unforgettable an insult! It is not forgotten; it cannot be; yet, to all appearances, Ludovico now visits him, on the rare occasions when he does so, with the sole object of informing him, sympathetically, of the progress of Bona's new infatuation. Why? He has not the wit to fathom. Only he has not so much faith in this disinterestedness as in the probability of its being a blind to some deadly policy.
How he hates them all—the Duchess, the Prince, the whole world of courtly rascals who have flattered him out of his obscurity only to play with and destroy him! If he can once escape from this trap, he will show them he can bite their heels yet. But what hope is there of escaping while Ludovico holds the secret of the spring? Day after day finds him gnawing the bars, and whimpering out his spite and impotence.
He has not failed, of course, to question his landlord Narcisso, or to weep over the futile result. Even if the little wretch's tact and wit were less negligible quantities, there is that of crafty doggedness in his gaoler to baffle the shrewdest questioner. Deciding that the man is in the paid confidence of the 'forces,' Tassino soon desists from attempting to draw him, and vents on him instead his whole soul of vengeful and disappointed spite.
Narcisso, for his part, offers himself quite submissively to the comedy; waits on him with a sniggering deference; stands while he eats; brings water, none the most fragrant, for him to dip his fingers in afterwards; dresses his hair with a broken comb, and takes his own dressing for pulling it with a grinning impassivity; lends, in short, his huge carcass in every way to be the other's butt and footstool. This exercise in overbearance is a certain relief to the prisoner; but, for all the rest, his time hangs deadlily on his hands. There are no restrictions placed upon him. He is free to come and go—as he dares. His terror is held his sufficient gaoler, and it suffices. He never, in fact, puts his nose outside the door, but contents himself, like the waspish little eremite he has become, with criticising and cursing from his solitary grille the limbs and lungs and life of the f[oe]tid world in which his later fortunes seem cast. So much for Messer Tassino!
One particular night saw him cowering before the caldano, or little domestic brazier, which must serve his present need in lieu of hotter memories; for the season was chilling rapidly, and what freshness had ever been in him was long since starved out. He was grown a little grimy and unkempt in these days, and his clothes were stale. The room in which he sat was, in its meanness and squalor, quite typically Vineyardish. Its furniture was of the least and rudest; it had not so much as a solitary cupboard to hold a skeleton; it was as naked to inspection as honesty. That was its owner's way. Narcisso was a very Dacoit in carrying all his simple harness on and about him. He cut his throats and his meat impartially with the same knife; or toasted, as he was doing now, slices of Bologna sausage on its point. His abortive scrap of a face puckered humorously, as the other, drawing his cloak tighter about him, damned the pitiful dimensions of their hearth.
'I would not curse the fire for its smallness, Messer,' he said. 'Wilt need all thy breath some day for blowing out a furnace.'
Tassino wriggled and snarled:—
'May'st think so, beast; but I know myself damned as an unbaptized one, to no lower than the first circle of our Father Dante.'
'Wert thou not baptized?'
'Do I not say so? And, therefore, lacking that grace, exonerated.'
'What's that?'
'Not responsible for my acts, pig.'
'Who says so?'
'Dante.'
'Who's he? Has a' been there? I would not believe him. What doth a' say o' me?'
'You? That you shall choke for all eternity in a river of blood.'
'Anan!' said Narcisso, and blew, scowling, on his sausage, which had become ignited. 'That's neither sense nor justice, master. I kill by the decalogue, I do. Did I ever put out a man's eyes for sport?'
'It's no matter,' answered Tassino. 'Thou wert baptized.'
'What will they do to thee?'
'I shall be forbidden the Almighty's countenance, no more—punishment enough, of course, for a person of taste; but I must e'en make shift to do without.'
'It's not fair,' growled Narcisso. 'I had no hand in my own christening. Do without? Narry penalty in doing without what you've never asked nor wanted.'
A figure that had stolen noiselessly into the room as they spoke, and was standing watching, with its cloak caught to its face, sniggered, literally, in its sleeve.
Tassino snapped rebelliously at the knife point, and began to eat without ceremony.
'Punishment enough,' he whined, 'if it means such a life in death as this.'
He sobbed and munched, quarrelling with his meat.
'How canst thou understand! The foul fiend betray him who condemned me to it! That saint; O, that saint! If I could only once trip his soul by the heels!'
'No need, my poor Tassino,' murmured a sympathetic voice; 'indeed, I think, there is no need.'
The prisoner staggered from his stool, and stood shaking and gulping.
'Messer Ludovico!' he gasped. 'How'
'By the door, my child—plainly, by the door,' interrupted the Prince smoothly. And then he smiled: 'Alas! thou hast no ante-room here for the scotching of undesirable suitors.'
The terrified creature had not a word to say. One could almost hear his fat heart thumping.
Ludovico, lowering his cloak a little, made an acrid face. The room offended his particular nostrils: its atmosphere was nothing less than sticky. But, reflecting on the choice moral of it, he looked at the little tarnished clinquant before him, and was content to endure. He even affected a pleasant envy.
'This is worth all the glamour of courts,' he said, waving his hand comprehensively. 'To eat, or lie down; to go in or out as thou will'st. Never to know that suspicion of thine own shadow on the wall. To waste no words in empty phrases, nor need the wealth to waste on empty show. What a rich atmosphere hath this untroubled, irresponsible freedom; it is a very meal of itself! I would I could say, For ever rest and grow fat thereon; but, alas! I bring discomforting news. My poor Tassino. I fear the fortress at last shows signs of yielding.'
The little wretch opposite him whimpered as if at a whip-cut.
'Is it so indeed? Then, Messer Ludovico, it is a foul shame of her. She hath betrayed me—may God requite her!' He snivelled like a grieved child; then, on a sudden thought, looked up, with a child's cunning. 'At least in that case I shall be forgotten. There can be no object in my hiding here longer.'
The Prince lifted his eyebrows, with an inward-drawn whistle.
'Object? Object?' he protested, acting amazement. 'But more than ever, my poor simpleton. Thy case is double-damned thereby. Think you the other would rest on the thought of a rival, and such a rival, at large? Thy very existence would be a menace to his guilty peace. I come, indeed, as a friend to warn thee. Lie close; stir not out; the very air hath knives. Be cautious, even of thy shadow on the wall, of thy hand in the dish.'
He said it calmly and distinctly, looking towards Narcisso, who all this time had stood hunched in the background, his dull brain struggling bewildered in a maze. But the urgency of this innuendo penetrated even him; the more so when he saw Tassino leap and fling himself on his knees at the Prince's feet.
'What do you mean?' shrieked the young man. 'Is he in their pay? O Messer, save me! don't let me be poisoned.'
He pawed and grovelled, looking madly over his shoulder. Ludovico laughed gently, disregarding him.
'Nay, I know not,' he cooed. 'It is a dog that serves more masters than one.'
Narcisso slouched forward, and ducked a sort of obeisance between sullen and deferential.
'What's to-do?' he growled. 'I serve my patron, Messer Duke's son, like an honest man. What call, I say, to warn 'en of me? Do I not earn my wages fairly?'
'Scarcely, fellow,' murmured Ludovico—'unless to betray thine employer be fair.'
Narcisso scowled and lowered.
'Betray!' he protested, but uneasily. 'That is a charge to be proved, Messer.'
Ludovico suddenly leapt to a blaze.
'Dog! Wouldst bandy with me, dog? Beware, I say! Who blabbed my secrets to the lady of Casa Caprona?'
He was himself again with the cry. His faculty of instant self-control was a thing quite fearful. Narcisso cowered before him; shrunk under the playful wagging of his finger.
'Messer—in the Lord's name!' he could only stammer—'Messer!'
'O thou fond knave!' complained the Prince, showing his teeth in a smile; 'to think to play that double game, one patron against another, and stake thine empty wits against the reckoning! Well, thou art confessed and damned.' He drew back a pace. 'But one word more,' he said, raising his voice. 'What hast thou to plead that I call not up those that will silence for ever thy false, treacherous tongue?'
He stood by the door. It was a very reasonable inference that he had not ventured into such a quarter unattended. Narcisso stood gasping and intertwining his thick fingers, but he could find no words.
'What!' smiled Ludovico; 'no excuse, no explanation? No answer of any kind? Shall I call, then?' He seemed to hesitate. 'Yet perhaps one loop-hole, though undeserved, I'll lease thee on condition.' He moved again forward a little, and spoke in a lower tone: 'There's news wanted of a certain stolen ring. Dog! do I not know who thieved it, and for whom? Now shalt thou undertake to go yet once again, and, robbing the receiver, bring the spoil to me—or be damned here and now for thy villainy.'
He thought he had netted at last the quarry of his long, patient stalking; but for once his confidence was at fault. Watching intently for the effect of his words, he grew conscious of some change transfiguring, out of terror and astonishment, the face of his victim. Foul, ignoble, animal beyond redemption as that was in all its features, its swinish eyes could yet extract and emit, it seemed, from the thin, dead ashes of some ancient fire, a stubborn spark of self-renunciation. He could read it in them unmistakably. The man stood straight before him, for the first and only time in his life, a hero.
Ludovico gazed in silence. He found, to do him the right justice, this psychic revelation of acuter interest to him than his own defeat foreseen in the light of it. But Tassino's subdued whimpering jarred him out of his abstraction.
'Well, is it agreed?' he asked with a sigh. For the moment he almost shrunk in the apprehension of an affirmative reply.
The rogue drew himself suddenly together.
'Call, Messer,' he said. 'That is my answer.'
His chin dropped on his breast. Tassino uttered a cry, and hid his face in his hands. Not a word or apparent movement followed; but when, goaded by the fearful stillness, the two dared to look up once more, they found themselves alone.
Then, at that, Tassino shrieked and sprang to the grille.
'My God!' he sobbed; 'he has gone, and left me to my fate!'
He moved to escape by the door, but Narcisso caught and wrenched him back.
'What ails the fool!' he protested in his teeth. 'My orders be to keep, not kill thee, man!'
Messer Ludovico, walking enveloped within a little cloud of his adherents, smiled to himself on his way back to the palace.
'The fascination of the serpent,' mused he, shaking his head—'the fascination of the serpent! How could that crude organism be expected to resist the arts of our Lamia, when I myself could fall near swooning to them? Hath he betrayed me to others? I think not; yet it were well to have him silenced betimes. The weakness was to threaten where I dared not yet perform. Yet it may chance, after all, he shall come to be prevailed on for the ring.'
'The ring!' he muttered, as he climbed presently to his chamber—'the ring! I think it comes to zone the world in my imagination!'
As he was passing through the ante-room to his private closet, a draped and voiceless figure moved suddenly out of the shadows to accost him. He gave the faintest start, then offered his hand, and, without a word, ushered this strange ghost into his sanctum. The portière swung back, the door clanged upon them, and there on the threshold he dwelt, looking with a silent, smiling inquisition into the eyes of his visitor.
Hast thou ever seen the dead, leafy surface of a woodland pool stir, scarce perceptibly, to the movement of some secret thing below? So, as Beatrice stood like a statue before the Prince, did the soul of her reveal itself to him, writhing somewhere under the surface of that still mask.
Then suddenly, swiftly, passionately, she thrust out a hand.
'There is the ring,' she said. 'Do what you will with it.'