Irish Melodies

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IRISH MELODIES.

 

 

IRISH MELODIES,


BY


THOMAS MOORE, ESQ.


WITH AN APPENDIX, CONTAINING THE ORIGINAL ADVERTISEMENTS, AND THE PREFATORY LETTER ON MUSIC.



LONDON:

PRINTED FOR J. POWER, 34, STRAND,
AND
LONGMAN, HURST, REES, ORME, AND BROWN,
PATERNOSTER-ROW.


MDCCCXXI.

 

 

The Engravings from the designs of W. H. Brooke.


LONDON:
PRINTED BY WILLIAM CLOWES,
Northumberland-Court.

 

 

DEDICATION.

 

 

TO THE
MARCHIONESS DOWAGER OF DONEGAL.

 

 

It is now many years since, in a Letter prefixed to the Third Number of the Irish Melodies, I had the pleasure of inscribing the Poems of that work to your Ladyship, as to a person whose character reflected honour on the country to which they relate, and whose friendship had long been the pride and happiness of their author. With the same feelings of affection and respect, confirmed if not increased by the experience of every successive year, I now place those Poems, in their present new form, under your protection, and am,

with perfect sincerity, your
Ladyship's ever attached friend,

THOMAS MOORE.

Paris, June 10, 1821.

 

 

PREFACE.

 

 

Though an edition of the Poetry of the Irish Melodies, separate from the Music, has long been called for, yet having, for many reasons, a strong objection to this sort of divorce, I should with difficulty have consented to a disunion of the words from the airs, had it depended solely upon me to keep them quietly and indissolubly together. But, besides the various shapes in which these, as well as my other lyrical writings, have been published throughout America, they are included, of course, in the two editions of all my works printed at Paris, and have lately appeared, in a volume full of typographical errors, in Dublin. I have, therefore, readily acceded to the wish of the Proprietor of the Irish Melodies for a revised and complete edition of the Poetry of the Eight Numbers, though well aware that it is impossible for these verses to be detached from the beautiful airs to which they were associated, without losing even more than the "animæ dimidium" in the process.

The advertisements, which were prefixed to the different numbers, the Prefatory Letter upon Music, &c., will be found in an Appendix at the end of the Volume.

 

 

CONTENTS.

 

 

FIRST NUMBER.

Page
Go where glory waits thee
.  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .
3
Remember the glories of Brien the brave
.  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .
6
Erin! the tear and the smile in thine eyes
.  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .
9
Oh! breathe not his name, let it sleep in the shade
.  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .
10
When he who adores thee, has left but the name
.  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .
11
The harp that once through Tara's halls
.  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .
12
Fly not yet, 'tis just the hour
.  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .
13
Oh! think not my spirits are always as light
.  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .
15
Tho' the last glimpse of Erin with sorrow I see
.  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .
17
Rich and rare were the gems she wore
.  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .
19
As a beam o'er the face of the waters may glow
.  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .
21
There is not in the wide world a valley so sweet
.  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .
22

SECOND NUMBER.

Page:Irish Melodies.djvu/20 Page:Irish Melodies.djvu/21 Page:Irish Melodies.djvu/22
Oh! haste and leave this sacred isle
.  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .
27
How dear to me the hour when day-light dies
.  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .
29
Take back the virgin page
.  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .
30
When in death I shall calm recline
.  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .
32
How oft has the Benshee cried
.  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .
34
We may roam thro' this world, like a child at a feast
.  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .
36
Oh ! weep for the hour
.  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .
38


This work was published before January 1, 1923, and is in the public domain worldwide because the author died at least 100 years ago.