Japanese Wood Engravings/Index
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INDEX
- Aston, Mr. W. G., on Korean books, 9
- Audsley’s Ornamental Arts of Japan, 64
- Bairei, 61
- Brinckmann, Dr., on Hokusai, 53
- Chinese Pictorial Engraving, history, 6
- Chōshun, Miyagawa, 20
- Chromoxylography in the Fourth Period, 22
- Colours used in Printing, 67
- Critical Summary, 71
- Decadence of Japanese Engraving, 74
- Dickins, Mr. F. V., on Hokusai, 53
- Duret, M., on Hokusai, 53
- Égawa Santaro, 54
- Égawa Tomikichi, 54
- “Ehon hokan,” 18
- “É-hon té-kagami,” 40
- “É-hon Yamato hiji,” 40
- European Art. Influence in Fourth Period, 54
- Fenollosa, Professor, on Hokusai, 53
- Fifth Period of Japanese Engraving, 56
- First Period of Engraving, 12
- Fourth Period of Engraving, 22
- “Fugaku hiak’kei,” 56
- Fujimura Zenyémon, 40
- Gakutei, 32
- Genyémon, Murakami, 40
- Ginsetsu, Tomikawa, 50
- Giokuransai Sadahidé, 51
- Giokuyan Ishida, 51
- Gokan, Shiba, 54
- Goncourt, M. de, on Utamaro, 36
- Gonse, M., on Hokusai, 53
- Gonshiro, Idzumiya, 22
- “Gwa-ho,” 40
- “Gwa-ko sen-ran,” 40, 64
- “Gwashi kwai-yo,” 40
- “Gwa-soku,” 40
- “Gwa-to-Sai-yu dan,” 55
- Hanabusa Itchō, 20
- Hanzan Matsukawa, 58
- Hanzan Yasunobu, 45
- Haségawa Settan, 58
- Haségawa„ Settei, 58
- Haségawa Tōün, 17
- Hayami Shunkiosai, 45
- Hiroshigé, 58
- Hishigawa Moronobu, 15
- “Hōgen Monogatari,” 13, 48
- Hōitsu, 20
- Hokkei, 54
- Hokucho, 58
- Hokujiu, 54
- Hokusai, 36, 50, 52
- “Hokusai Mangwa,” 56
- Hokushiu, 58
- Hokuün, 54
- Hokuyei, 58
- Hosoï Yeishi, 36, 50
- “Ichimai-yé,” 43
- Ichiriusai Hiroshigé, 58
- Idzumiya Gonshiro, 22
- Inoüyé Shinichiro, 32
- Isai, Katsushika, 54
- “Isé Monogatari,” 13, 48
- Ishida Giokuzan, 51
- Iskikawa Riusen, 17
- Ishikawa Toyonobu, 30
- Itchō, Hanabusa, 20
- Japanese Engraver, compared with European, 72
- Japanese pictorial engraving, history, 9
- Japanese printer, 72
- “Kaibiaku yu-raiki,” 56
- Katsugawa Shunshō, 32
- Katsugawa„ Shunko, 32
- Katsugawa„ Shunyei, 32
- Katsugawa„ Shunjō, 32
- Katsugawa„ Shunchō, 32
- Katsugawa„ Shunwo, 32
- Katsugawa„ Shuntei, 32
- Katsushika Hokusai, 52
- Katsushika„ Isai, 54
- “Keisai so-gwa,” 64
- Keisai Yeisen, 51
- Kihei, Yamamoto, 8
- Kikuchi Yōsai, 58
- Kikugawa Yeizan, 36
- Kitagawa Utamaro, 36, 50
- Kita-wo Shigémasa, 33, 34
- Kita-wo„ Masanobu (Kioden), 50
- Kita-wo„ Keisai Masayoshi, 77
- Kioden, 34, 50
- Kiosai, 1, 61
- “Kobi no Tsubo,” 32
- Kōbō Daishi, 9
- Korean Pictorial Engraving, 9
- Kōrin, Honnami, 20
- Kōriusai, 33
- Kunisada, Utagawa, 51, 56
- Kuniyoshi, Utagawa, 56
- “Kuniyoshi Yatsugwa,” 51
- “Kusa-zoshi,” 50
- “Kwanyin Sutra,” 8
- “Kwaraku Meisho dzu-yé,” 45, 58
- “Kwaraku Saiken dzu,” 20, 45
- “Man ro-jin” (Hokusai), 56
- Masanobu, Kitawo, 50
- Masanobu, Okumura, 17
- Masayoshu, Kitawo Keisai, 77
- Matsugoro, Yamaguchi, 36
- Matsukawa Hanzan, 48
- “Meizan dzu-yé,” 98
- “Miako Meisho dzu-yé,” 45
- Miyagawa Chōshun, 20
- “Momo chidori kioka awasé,” 36
- Morikuni, Taihibana, 38
- Moronobu, Hishigawa, 15
- Murakami Genyémon, 40
- “Nenjiu gioji daisei,” 58
- New Year’s Cards (Surimono), 30
- Nichiren, 10
- “Nikko-zan Shi,” 45
- Nishigawa Sukénobu, 38, 50
- Nishimura Shigenaga, 30
- “Noms de guerre,” of popular artists, 76
- Okumura Masanobu, 17
- “Onna San-jiu-rok’kasen,” 36, 52
- Oöka Shunboku, 40
- “Orihon,” 18, 43
- Osaka broadsides, 58
- Paper used in printing engravings, 67
- Periods of engraving–
- First, 12
- Second, 13
- Third, 15
- Fourth, 22
- Fifth, 56
- Sixth, 60
- Rantokusai Shundō, 50
- Riokin, 11
- Rioko Toyei, 34
- Riusen, Ishikawa, 17
- Sadahidé, Giokuransai, 51
- Sadamasu, 58
- “Saikoku sanjiu sancho meisho dzu-yé,” 58
- “Sam-Kang-heng-sil,” 9
- Satow, Mr. E. M., on Wood Engraving, 11; on Japanese printing, 22
- Second Period of Engraving, 13
- “Seirō bijin awasé kagami,” 32
- “Shiro nenjiugioji,” 36
- Seizo, Yamaguchi, 36
- Sensai Yeitaku, 61
- Settan, Haségawa, 45, 58
- Settei, Haségawa, 58
- Shiba Gokan, 54
- Shigéharu, 58
- Shigenaga, Nishimura, 30
- Shigénobu, Yanagawa, 51
- Shinichiro, Moüyé, 32
- “Shin Kosha bunko,” 51
- Shinsai, 54
- “Shomotsu,” 43
- Shunboku, Ooka, 40
- Shunchō, Katsugawa, 32
- Shundō, Rantokusai, 50
- Shunjō, Katsugawa, 32
- Shunkiosai, Hayami, 45
- Shunko, Katsugawa, 32
- Shunman, Isoda Shobei, 32
- Shunrō, 32
- Shuntei, Katsugawa, 32
- Shunwō Katsugawa, 32
- Shunyei, Katsugawa, 32
- Signatures, Remarks on, 75
- Sixth Period of Engraving, 60
- Size Solution, 71
- “Soshiséki gwa-fu,” 64
- Sukenobu, Nishigawa, 38, 50
- Summary of Periods of Engraving, 7
- Surimono, 30
- Suzuki Harunobu, 30
- Tachibana Morikuni, 38
- Tangé, Tsukioka, 40
- Technique of Japanese Woodcutting, 62
- Theatrical broadsides, 23
- Third Period of Engraving, 15
- Tsukioka Tangé, 40
- “Tōgoku meisho-shi,” 40, 45
- “Tokiwa gi,” 20
- Tokuno, Mr. T., on Japanese Woodcutting, 64
- Tomikawa Ginsetsu, 50
- “Tonégawa dzu shi,” 45
- Tools of engraver, 66
- Tools of printer, 71
- Topographical handbooks, 43
- Torii Kiyonobu, 23, 50
- Torii„ Kiyomasu, 30
- Torii„ Kiyotané, 30
- Torii„ Kiyoshigé, 30
- Torii„ Kiyomitsu, 30, 50
- Torii„ Kiyonaga, 30, 50
- Torii„ Kiyotsuné, 31, 50
- Torii„ Kiyominé, 31
- Toriyama Sékiyen Toyofusa, 33
- “Toto saijiki,” 58
- Tōün, Haségawa, 17
- Toyei, Rioko, 34
- Toyofusa, Toriyawa Sékiyen, 33
- Toyohiro, Utagawa, 50
- Toyokuni, Utagawa, 50
- Toyonobu, Ishikawa, 30
- “Umpitsu so-gwa,” 40
- Utagawa Toyonobu, 33
- Utagawa„ Toyoharu, 33, 34
- Utagawa„ Toyohiro, 34, 50
- Utagawa„ Toyokuni, 34, 38, 50
- Utagawa„ Kuniyasu, 50
- Utagawa„ Kunisada, 51, 56
- Utagawa„ Kuniyoshi, 56
- Utamaro, Kitagawa, 50
- “Wa-Kan mei-gwa-yen,” 40
- “Wa-Kan mei-hitsu gwa-yei,” 40
- “Wa-Kan mei-hitsu kingioku gwa-fu,” 40
- Wood employed by engraver, 66
- Yamaguchi Matsugoro, 36
- Yamaguchi„ Seizo, 36
- Yamamoto Kihei, 8
- “Yamato kosaku gwasho,” 18
- Yanagawa Shigénobu, 51
- Yasunobu, Hanzan, 45
- “Yédo Meisho dzu-yé,” 45, 58
- Yeijo, 54
- Yeishi, Hosoï, 50
- Yeizan, Kikugawa, 50
- Yōsai, Kikuchi, 58
- Yoshitada, Yoyen, 58
- Yoyen Yoshitada, 58
- “Zenken Ko-jitsu,” 58
- “Zenkoji Michi Meisho dzu-yé,” 58
- Zenyémon, Fujimaro, 40
- “Zokku hiak’ki,” 34