Lippincott's Monthly Magazine/Volume 46
LIPPINCOTT’S
MONTHLY MAGAZINE.
A
POPULAR JOURNAL
OF
GENERAL LITERATURE, SCIENCE, AND POLITICS.
VOL XLVI.—JULY TO DECEMBER, 1890.
PHILADELPHIA:
J. B. LIPPINCOTT COMPANY.
1890.
Copyright, 1890, by J. B. Lippincott Company.
Printed by J. B. Lippincott Company, Phildelphia, U.S.A.
PAGE | ||
Accidents and Trifles | William Shepard | 706 |
An Army Portia (A Novel) | Captain Charles King, U.S.A | 721–843 |
Art of Interviewing, The | Frank A. Burr | 391 |
At the End of the Passage | Rudyard Kipling | 246 |
Author of “Metzerott, Shoemaker,” The | Hester Crawford Dorsey | 375 |
Bermuda Islands, The | H. C. Walsh | 854 |
“Bond’s” | M. P. | 702 |
Brief Correspondence with Paul Hamilton Hayne, A | John Eliot Bowen | 368 |
British Side-Glances at America | Anne H. Wharton | 709 |
Cheiromancy of To-Day, The | Edward Heron-Allen | 102 |
Contemporary Biography: | ||
Harriet Beecher Stowe | Eleanor P. Allen | 261 |
John J. Ingalls | J. M. S. | 141 |
Current Concentration of Industrial Capital | Henry Clewe | 379 |
Electric Lighting | David Salomons | 528 |
Heroines of the Human Comedy | Junius Henri Browne | 875 |
Journalism versus Literature | W. J. Henderson | 712 |
Keely’s Contributions to Science | Mrs. Bloomfield-Moore | 111 |
Laggard in Love, A (A Novel) | Jeanie Gwynne Bettany | 577–674 |
Lapse of Tolstoi, The | Frederic M. Bird | 273 |
Lawn Tennis for Women |
Bertha L. Townsend |
239 |
Le Prix de Rome | L. R. McCabe | 559 |
Mark of the Beast, The (A Novel) | Katharine Pearson Woods | 289–348 |
Marriage at Sea, A (A Novel) | W. Clark Russell | 427–511 |
Milk-Legislation | R. M. Elfreth | 276 |
My Enemy | Esmè Stuart | 360 |
My Florida | Rose Elizabeth Cleveland | 521 |
Nicaragua Canal, The | Rear-Admiral Daniel Ammen | 349 |
Papuan Dances | Alfred C. Haddon | 386 |
Philadelphia Academy of Natural Sciences, The | Charles Morris | 278 |
Philosopher in Purple | G. Barnett Smith | 691 |
Philosophy of Folk-Tales, The | C. Staniland Wake | 415 |
Picture of Dorian Gray, The (A Novel) | Oscar Wilde | 1–100 |
Powers of the Air, The | Felix L. Oswald | 150 |
Public and the Stage, The | Edward Fuller | 564 |
Revulsion from Realism, A | Anne H. Wharton | 409 |
Romance of the Impossible, The | Julian Hawthorne | 412 |
Round-Robin Talks.—II., III. |
Thomas P. Ochiltree, |
124, 537 |
Round, Unvarnish’d Tale, A | Elizabeth W. Bellamy | 569 |
Some Experiences of a Stump Speaker | B. F. Hughes | 685 |
Some of the Fallacies of the Woman Suffragists | M. Helen Lovett | 567 |
Superstitions about Birds | Charles McIlvaine | 403 |
Tariff, A Glance at the | Joel Cook | 846 |
Tartuffe in Ebony | Jeanie Drake | 512 |
Types in Fiction | W. W.Crane | 862 |
University Extension | Sydney T. Skidmore | 549 |
“What Gold Cannot Buy” (A Novel) | Mrs. Alexander | 161–237 |
Poetry: | ||
A Sonnet | M. G. McClelland | 558 |
A Touchstone | Charles Henry Lüders | 374 |
A Unit | Elizabeth Stoddard | 101 |
After Reading Chaucer | Minna Irving | 853 |
Crystal and Clay | Percy Vere | 359 |
Ebb and Flow | H. W. F. | 260 |
Echoes | Curtie Hall | 110 |
Envy of Grief | Bessie Chandler | 520 |
Homeward | Florence Earle Coates | 367 |
I, Polyorates | S. D.S, Jr. | 853 |
“In my Love’s Looks” | Dora Read Goodale | 403 |
My Lady Waits | Charles Washington Coleman | 701 |
Outcast | Solomon Solis-Coken | 378 |
Roses of Love | Julian Hawthorne | 536 |
The Famous Sonnet of Arvers | Translated by Mrs. E. W. Latimer | 705 |
The Pale Cast of Thought | Owen Wister | 272 |
To a Poet in Exile | Maurice Francis Egan | 402 |
To the Sunset Breeze | Walt Whitman | 861 |
Uncrowned | Daniel L. Dawson | 844 |
Veiled | Margaret Vandegrift | 245 |
Wait but a Day | Rose Hawthorne Lathrop | 149 |
Where Lies the Land? | Charles D. Bell | 684 |
Whom Others Envy | Rose Hartwick Thorpe | 705 |
Woman | Charles H. Crandall | 272 |
Zanthon—my Friend | Elizabeth Stoddard | 238 |
Book-Talk |
Julian Hawthorne, |
154, 279, 418, 571, 715, 864 |
New Books | 157, 286, 423, 574, 769, 367 |
This work is in the public domain in the United States because it was published before January 1, 1929.
This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
Public domainPublic domainfalsefalse