though in other respects giving very different interpretations, think) is, according to Job's wish, to be permanently inscribed on the monument, in order to testify to posterity with what a stedfast and undismayed conviction he had died? The high-toned introitus, Job 19:23, would be worthy of the important inscription it introduces. But (1) it is improbable that the inscription would begin with ואני, consequently with Waw, - a difficulty which is not removed by the translation, “Yea, I know,” but only covered up; the appeal to Psa 2:6; Isa 3:14, is inadmissible, since there the divine utterance, which begins with Waw, per aposiopesin continues a suppressed clause; כי אני would be more admissible, but that which is to be written down does not even begin with כי in either Hab 2:3 or Jer 30:3. (2.) According to the whole of Job's previous conduct and habitual state of mind, it is to be supposed that the contents of the inscription would be the expression of the stedfast consciousness of his innocence, not the hope of his vindication, which only here and there flashes through the darkness of the conflict and temptation, but is always again swallowed up by this darkness, so that the thought of a perpetual preservation, as on a monument, of this hope can by no means have its origin in Job; it forms everywhere only, so to speak, the golden weft of the tragic warp, which in itself even resists the tension of the two opposites: Job's consciousness of innocence, and the dogmatic postulate of the friends; and their intensity gradually increases with the intensity of this very tension. So also here, where the strongest expression is given both to the confession of his innocence as a confession which does not shun, but even desires, to be recorded in a permanent form for posterity, and also at the same time in connection with this to the confidence that to him, who is misunderstood by men, the vindication from the side of God, although it may be so long delayed that he even dies, can nevertheless not be wanting. Accordingly, by מלּי
