be inferred from Psa 75:3), are disheartened, scattered asunder, and are as it were in the act of dissolution, then He (the absolute I, אנכי) will restrain this melting away: He setteth in their places the pillars, i.e., the internal shafts (Job 9:6), of the earth, or without any figure: He again asserts the laws which lie at the foundation of its stability. תכּנתּי is a mood of certainty, and Psa 75:4 is a circumstantial clause placed first, after the manner of the Latin ablative absolute. Hitzig appropriately compares Pro 29:9; Isa 23:15 may also be understood according to this bearing of the case.
The utterance of God is also continued after the Sela. It is not the people of God who turn to the enemies with the language of warning on the ground of the divine promise (Hengstenberg); the poet would then have said אמרנוּ, or must at least have said על־כּן אמרתּי. God Himself speaks, and His words are not yet peremptorily condemning, as in Psa 50:16., cf. Psa 46:11, but admonitory and threatening, because it is not He who has already appeared for the final judgment who speaks, but He who announces His appearing. With אמרתּי He tells the braggarts who are captivated with the madness of supposed greatness, and the evil-doers who lift up the horn or the head,[1] hat He will have once for all said to them, and what they are to suffer to be said to them for the short space of time till the judgment. The poet, if we have assigned the right date to the Psalm, has Rabshakeh and his colleagues before his mind, cf. Isa 37:23. The ל, as in that passage, and like אל in Zec 2:4 (vid., Köhler), has the idea of a hostile tendency. אל rules also over Psa 75:6: “speak not insolence with a raised neck.” It is not to be construed עתק בצוּאר, with a stiff neck. Parallel passages like Psa 31:19; Psa 94:4, and more especially the primary passage 1Sa 5:3, show that עתק is an object-notion, and that בצוּאר by itself (with which, too, the accentuation harmonizes, since Munach here is the vicarius of a distinctive), according to Job 15:26, has the sense of τραχηλιῶτες or ὑπεραυχοῦντες.
- ↑ The head is called in Sanscrit çiras, in Zend çaranh, = κάρα; the horn in Sanscrit, çringa, i.e., (according to Burnlouf, Etudes, p. 19) that which proceeds from and projects out of the head (çiras), Zend çrva = κέρας, קרן (ḳarn).
