the seeing, here the spectacle, like θέατρον in 1Co 4:9. This is evident from Nah 3:7, where ראיך contains a play upon ראי. Every one who looks at her will flee from her as an object of disgust. שׁדּדה, a rare form of the pual for שׁדּדה (for the fact, compare Jer 48:20). The last two clauses express the thought that no one will take pity upon the devastated city, because its fate is so well deserved; compare Isa 51:19, where the same words are used of Jerusalem. Nineveh will not be able to protect herself from destruction even by her great power. The prophet wrests this vain hope away from her by pointing in Isa 51:8. to the fall of the mighty Thebes in Egypt.
Verses 8-10
Nineveh will share the fate of No-Ammon. - Nah 3:8. “Art thou better than No-amon, that sat by rivers, waters round about her, whose bulwark was the sea, her wall of sea? Nah 3:9. Ethiopians and Egyptians were (her) strong men, there is no end; Phut and Libyans were for thy help. Nah 3:10. She also has gone to transportation, into captivity; her children were also dashed in pieces at the corners of all roads; upon her nobles they cast the lot, and all her great men were bound in chains.” התיטבי for התיטבי, for the sake of euphony, the imperfect kal of יטב, to be good, used to denote prosperity in Gen 12:13 and Gen 40:14, is applied here to the prosperous condition of the city, which was rendered strong both by its situation and its resources. נא אמון, i.e., probably “dwelling (נא contracted from נוא, cf. נאות) of Amon,” the sacred name of the celebrated city of Thebes in Upper Egypt, called in Egyptian P-amen, i.e., house of the god Amun, who had a celebrated temple there (Herod. i. 182, ii. 42; see Brugsch, Geogr. Inschr. i. p. 177). The Greeks called it Διὸς πόλις, generally with the predicate ἡ μεγάλη (Diod. Sic. i. 45), or from the profane name of the city, which was Apet according to Brugsch (possibly a throne, seat, or bank), and with the feminine article prefixed, Tapet, or Tape, or Tepe, Θήβη, generally used in the plural Θῆβαι. This strong royal city, which was described even by Homer (Il. ix. 383) as ἑκατόμπυλος, and in which the Pharaohs of the 18th to the 20th dynasties, from Amosis to the last Rameses, resided, and created those works of architecture which were admired by Greeks and Romans, and the remains of which still fill the visitor with
