Page:06.CBOT.KD.PropheticalBooks.B.vol.6.LesserProphets.djvu/1177

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In this chapter, which is called a prayer in the heading, the prophet expresses the feelings which the divine revelation of judgment described in ch. 1 and 2 had excited in his mind, and ought to excite in the congregation of believers, so that this supplicatory psalm may be called an echo of the two answers which the prophet had received from the Lord to his complaints in Hab 1:2-4 and Hab 1:12-17 (vid., Hab 1:5-11 and 2:2-20). Deeply agitated as he was by the revelation he had received concerning the terrible judgment, which the Lord would execute first of all upon Judah, through the wild and cruel Chaldaean nation, and then upon the Chaldaean himself, because he deified his own power, the prophet prays to the Lord that He will carry out this work of His “within years,” and in the revelation of His wrath still show mercy (Hab 3:2). He then proceeds in Hab 3:3-15 to depict in a majestic theophany the coming of the Lord to judge the world, and bring salvation to His people and His anointed; and secondly, in Hab 3:16-19, to describe the fruit of faith which this divine manifestation produces, namely, first of all fear and trembling at the day of tribulation (Hab 3:16, Hab 3:17), and afterwards joy and rejoicing in the God of salvation (Hab 3:18 and Hab 3:19). Consequently we may regard Hab 3:2 as the theme of the psalm, which is distributed thus between the two parts. In the first part (Hab 3:3-15) we have the prayer for the accomplishment of the work (Hab 3:2) announced by God in Hab 1:5, expressed in the form of a prophetico-lyric description of the coming of the Lord to judgment; and in the second part (Hab 3:16-19), the prayer in wrath to remember mercy (Hab 3:2), expanded still more fully in the form of a description of the feelings and state of mind excited by that prayer in the hearts of the believing church.

Chap. 3


Verse 1


The song has a special heading, after the fashion of the psalms, in which the contents, the author, and the poetical character of the ode are indicated. The contents are called tephillâh, a prayer, like Psa 17:1-15; 86; 90; 102, and Psa 142:1-7, not merely with reference to the fact that it commences with a prayer