Page:A History of Art in Ancient Egypt Vol 1.djvu/134

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A History of Art in Ancient Egypt.

in the works of the early poets. It commenced with the first awakening of thought, when man endowed all visible nature with the bounding life which he felt in his own veins. No effort of intelligence was required for its commencement or for its prosecution. The sun became a young hero advancing, full of pride and vigour, upon the path prepared for him by Aurora; a hero who pursued his daily path in spite of all obstacle or hindrance, who, when evening came, went to his rest amid all the glories of an eastern sunset, and amid the confidence of all that after his hours of sleep he would take up his eternal task with renewed vigour. He was an invincible warrior. He was sometimes an angry master, whose glance killed and devoured. He was above all the untiring benefactor of mankind, the nurse and father of all life. Whether as Indra or as Amen-Ra, it was the same cry that went up to him from Egypt and Hindostan; the prayers which we find in the Vedas and in the papyri, breathe the same sentiments and were addressed to the same god.[1]

This solar god and the divinities who resemble him, form the transition from the simple fetish to complete deities, to those gods who played such an important part in the Egyptian religion, and attained to their highest and most complete development in the Hellenic mythology. In some respects, the luminous globe of the sun with its compulsory course, belonged to the same category as the material objects which received the first worship of humanity. But its brilliance, its tranquil and majestic movement, and the distance which conceals its real substance from the eye of man, allowed his imagination to endow it with the purest and noblest characteristics which the finest examples of humanity could show; while the phenomena which depend upon its action are so numerous that there was no hesitation in assigning to it qualities and energies of the most various kinds.

This type when once established was used for the creation of other deities, which were all, so to speak, cast in the same mould. As the intellect became more capable of abstraction and analysis, the personality and moral individuality of these gods gradually threw off its astral or physical characteristics, although it never lost all trace of their existence. It resulted that, both in Egypt and in Greece, there were deities who were mere entities, the

  1. See the fine hymns quoted and translated by M. Maspero in his Histoire ancienne, pp. 30-37.