Page:A History of Art in Ancient Egypt Vol 1.djvu/135

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The Egyptian Religion and the Plastic Arts.
51


Fig. 34.—Amen or Ammon, from a bronze in the Louvre. Height 22ˈ04 inches.
simple embodiment of some power, some quality, or some virtue. It requires all the subtle finesse of modern criticism to seek out and distinguish the obscure roots which attach these divinities to the naturalistic beliefs of earlier ages. Sometimes absolute certainty is not to be attained, but we may safely say that a race is polytheistic when we find these abstract deities among their gods, such deities as the Ptah, Amen, and Osiris of the Egyptians, and the Apollo and Athenè of the Greeks.[1]

We may, then, define polytheism as the partition of the highest attributes of life between a limited number of agents. The imagination of man could not give these agents life without at the same time endowing them with essential natural characteristics and with the human form, but, nevertheless, it wished to regard them as stronger, more beautiful and less ephemeral than man. The

  1. Several of the bronzes which we reproduce may belong to the Ptolemaic epoch; but they are repetitions of types and attributes which had been fixed for many centuries by tradition. It is in this capacity chiefly that we reproduce them, as examples of those forms which seemed to the Egyptian imagination to offer the most satisfactory emblems of their gods.