Elves, and in the dance of the Goat and her seven Kids about the well.
The beautiful. Closely related to this love of the material is the sense of the beautiful. "Beauty is pleasure regarded as the quality of a thing," says Santayana. Pleasures of the eye and ear, of the imagination and memory, are those most easily objectified, and form the groundwork on which all higher beauty rests. The green of the spring, the odor of Red Riding Hood's flowers, the splendor of the Prince's ball in Cinderella—these when perceived distinctly are intelligible, and when perceived delightfully are beautiful. Language is a kind of music, too; the mode of speaking, the sound of letters, the inflection of the voice—all are elements of beauty. But this material beauty is tied up in close association with things "eye hath not seen nor ear heard," the moral beauty of the good and the message of the true. The industry of the little Elves reflects the worth of honest effort of the two aged peasants, and the dance of the Goat and seven Kids reflects the triumph of mother wit and the sharpness of love. The good, the true, and the beautiful are inseparably linked in the tale, just as they forever grow together in the life of the child. The tales differ largely in the element of beauty they present. Among those conspicuous for beauty may be mentioned Andersen's Thumbelina; the Indian How the Sun, the Moon, and West Wind Went Out to Dinner; the Japanese Mezumi, the Beautiful; and
